Red sandalwood side seat inlaid with ivory carving, Sunrise and Auspicious Beginning

[Red sandalwood side seat inlaid with ivory carvings and a screen insert of the Three Yang Kai Tai Diagram]

In the middle of the Qing Dynasty, the overall height was 60cm, the screen center was 46.6cm vertically and 33.8cm horizontally
The inset frame is made of red sandalwood, and the screen center is inlaid with dyed teeth. The picture shows a child riding a sheep, a child holding a branch to drive a sheep, and a child fanning and accompanying a sheep, forming a picture of the prosperity of the Three Yangs. The back of the screen is sprinkled with gold, yellow, and silk. In Xingkai script, Zhu Yanling, a poet of the Tang Dynasty, wrote a five-character poem titled “Autumn Mountains and Extreme Celestial Cleanliness”:
The rain washes high and the autumn is clean, and the sky is carefree in the wild. The verdant and clear Vientiane is surrounded by layers of mountains
The sun sets on thousands of peaks, and clouds sell among thousands of valleys. After the frost, the green pineapple is green, and the red leaves are raining
Scattered colors brighten Wu Dian, and fractal shapes press Chu Guan. If you want to find the Xiaohan Road, you are willing to climb it
The inset screen is based on a painting by Yao Zonghan, a painter of the Qing Dynasty, and uses various techniques such as carving teeth, dyeing, and sprinkling gold sand. The production is exquisite, making it one of the best structures in the Qing Dynasty palace furnishings.


牙雕三阳开泰图插屏背面