Ye Xuanqing Shizang really appreciated the round ink of Wulan Pavilion

[Ye Xuanqing Shizang Genuine Appreciation Wulanting Round Ink]

Ye Xuanqing Shizang Genuine Appreciation Wulanting Round Ink, Kangxi of Qing Dynasty, 12.5 cm in diameter and 1.7 cm in thickness
The black circle, with the front side of the picture of “Orchid Pavilion Xiuxi”. On the back is the preface of Dingwulan Pavilion in regular script in Yangwen: “Nine years of Yonghe…”. At the end of the preface, there are seven characters in regular script: “Ye Xuanqing Shicang Zhenshang”. The so-called “Dingwu Book” of Orchid Pavilion is that after Emperor Taizong of the Tang Dynasty obtained the authentic copy of Wang Xizhi’s Preface to Orchid Pavilion, the calligrapher Ouyang Xun copied it and carved it in the academy, and moved Biandu in the Liang Dynasty of the Five Dynasties. After Yelu Deguang of Liao Taizong broke through the Later Jin Dynasty, he took the stone carving to the north, and the stone carving was abandoned on the way because of his illness. Later, it was discovered in the Qingli period of the Northern Song Dynasty and placed in Dingzhou Prefecture. During the Zhidaguan period, it was placed in the Xuanhe Palace of the Song Dynasty. The stone carvings were lost when the Jin Dynasty destroyed the Northern Song Dynasty. Dingzhou belonged to the Dingwu Army in the Northern Song Dynasty, so the stone rubbings were called “Dingwu Lanting”. Ye Xuanqing, a Mohist in Huizhou during the Wanli period of the Ming Dynasty, was a Xiuning person. His nickname was Taoist, Xuan Xuanzi, and his name was “Cangcang Room”. His position in the ink making industry of the Ming Dynasty is comparable to that of Cheng Junfang, Fang Yulu and others, but the ink products are still less popular. The descendants inherited their inheritance, and still took the name of “Ye Xuanqing”, which was active until the Kangxi period. Due to taboo reasons, “Ye Xuanqing” was changed to “Ye Yuanqing”


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