[Qian Kai Chrysanthemum Painting Fan Page]
Chrysanthemum Painting Fan Page, Qing Dynasty, Qian Kai painting, paper version, color setting, 18 cm vertical, 52.5 cm horizontal
The fan page has its own title: “The white clothes are not as free as the wine, and the scroll is high and the song is deep and the door is closed. I look at the autumn scenery alone at the edge of the fence. Who knows that I mean Nanshan. In the autumn of 1898, I imitated the Nantian grass clothing method. Yinan kai.” The seal is “kai” white seal, “yinan” Zhu seal, and the first seal is “travel in art” white seal
“Wuxu” was the forty-third year of Qianlong’s reign in the Qing Dynasty (1778), when Qian Kai was about 18 years old
The picture depicts the autumn scenery of purple, red and white chrysanthemums competing for fragrance. The warm and cold colors set off each other, and the picture is bright and bright. The chrysanthemum fills the color of the double hook and seeks interest in the extreme work. The leaves are painted with no bone halo. They are directly colored and dotted without using a pen to draw lines. They have a typical Yun’s style of painting with no bone. On the right side of this picture is Yun Shouping’s seven-character poem. The structure of its characters is completely based on Yun’s style of writing, that is, on the basis of the patriarchal style of writing of Chu Suiliang in the Tang Dynasty, it has a delicate and elegant taste, which complements its elegant and graceful style of painting. It can be seen from the picture that in his early years, Qian Kai learned to imitate Yun Shouping’s style of calligraphy and painting, which has reached the point of lifelike, just as the same title of “This fan of calligraphy and painting imitates Nantian, and is capable of obtaining Ouxiang Samadhi.”