Weide Auspicious Mother of Heaven Thangka

[Weide Auspicious Mother of Heaven Thangka]

Weide Auspicious Mother of Heaven Thangka, 18th century, Beijing, painted with gold in ink, 185 cm in height, 100 cm in width, 120 cm in vertical and 70 cm in horizontal
The auspicious heavenly mother is angry, red-haired, wearing five skull crowns, gnawing teeth and rolling tongue, hanging a large wreath of human head, with a snake as the arm. The right hand holds the diamond pestle, and the left hand holds the gabala bowl. There is a ghost card on the waist, and the mule under the seat is hung with a disease bag and a pair of dice, and gallops in the sea of blood. The upper bound is the three supreme gods of the Gelug Sect, namely the Great Vajra, the Dense Vajra and the Shangle Vajra. Surrounded by the goddess of the four seasons of spring, summer, autumn and winter, as well as the five long-lived Tianmu and the goddess of the twelve Danma
This inky gold painting of the Thangka, also known as the Black Tang Dynasty, is framed with the most distinctive foreign brocade large flower pieces of gold in the Qing Dynasty, decorated with gold clouds and dragons, and the upper part is inscribed with the Emperor Qianlong’s poem “Auspicious Heavenly Mother” in Han, Manchu, Mongolian and Tibetan four-body characters
The back of the portrait is pasted with a white silk label, which is inscribed in four characters of Han, Manchu, Mongolian and Tibetan in ink, The Chinese text reads: “On September 20, the forty-third year of Qianlong’s reign, a decree was issued to hand over the Zhangjiahu Tuke map to offer a respectful portrait of Weide auspicious Heavenly Mother, Lamadi animal statue Dharma protector, lion statue Dharma protector, four auspicious Heavenly Mother, five long-lived Heavenly Mother, twelve eternal Dharma protectors, and so on.”


威德吉祥天母唐卡背后白绫签