Fu Shanmo’s lotus axis

[Fu Shan ink lotus axis]

ink lotus axis, Qing Dynasty, Fu Shan painting, damask ink brush, 142 cm long, 40.5 cm horizontal
The picture shows the pond in the late autumn, with the “ink splashing method” as the number of stems of lotus leaves. The ink color is rich and the water vapor is dripping. The lotus and lotus seed are written by the center of the fine pen, which are simple and comprehensive in shape, and are dancing in a beautiful and withered manner. Below is a picture of rippling streams, fine reeds and grass, a peaceful scene. The title sentence on the picture is taken from Zhou Dunyi’s “Love Lotus Saying”, which highlights the author’s demeanor of standing tall and upright as a lotus. This picture has no model year. According to the style and style of its inscription, it should be a freehand sketch in later years. Fu Shan is famous as a good calligrapher, and his paintings of landscape, flowers and grass are not in line with his predecessors. Most of his paintings are written in running script and cursive script. Although his paintings have little influence in the painting circles of the Ming and Qing dynasties, they reflect the typical characteristics of literati and calligraphers in the late Ming Dynasty who occasionally play calligraphy games and practice the concept of “calligraphy and painting are the same”
The style of this picture: “The outside is straight and the middle is clear, and the fragrance is far away. The mountain is written.” The seal “Fu Shan’s seal” is printed in white

图片[1]-Fu Shanmo’s lotus axis-China Archive

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