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Self title: “The sound of pines and emerald walls and waterfalls is strange, and I don’t know when I come to visit the summer in June. The fairy is nowhere to be found, and the White Dragon Pond has been standing for many years. The White Dragon Pond imitates the brushwork of pine and snow, and Qu Shan and Mei Qing are combined.” The seal “Qu Xing Qing” and “Yuan Gong” are sealed
Mei Qing once visited Mount Huangshan, and was intoxicated with its ever-changing and magnificent scenery, so he created many works to show the scenic spots of Mount Huangshan
White Dragon Pond, one of the Five Dragon Ponds in Songyan Stream in the north of Mount Huangshan Mountain, is depicted in the picture. Due to the abundant rainfall, Mount Huangshan has formed various waterscapes. Rivers, waterfalls and deep pools often connect with each other, forming the most vibrant landscape of Mount Huangshan. When painting Mount Huangshan Mountain, Mei Qing started from sketching, added his own subjective feelings, and then highlighted the artistic conception of Mount Huangshan Mountain, which is strange, steep, dangerous and beautiful, with bold and unrestrained brushwork, showing his painting style, which is both vigorous and unrestrained and elegant and ethereal, giving people a strong artistic influence.
The author also pays great attention to the composition. The towering layout highlights the majestic momentum of the waterfall. Several groups of luxuriant pine trees are set off at the beginning and end of the waterfall, avoiding the straightforward artistic expression and setting off the atmosphere of the picture from the side. The stone walls on both sides of the waterfall are dotted with thick ink, and the rest are left blank, which increases the sense of space in the picture. The ingenious composition, varied brushwork, and the appropriate color of ink make the picture full and complete without clutter.
![图片[1]-Meiqing White Dragon Pond Map Axis-China Archive](https://chinaarchive.net/Qing dynasty/painting/10600[1024].jpg)
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![[Qing Dynasty] British female painter—Elizabeth Keith, using woodblock prints to record China from the late Qing Dynasty to the early Republic of China—1915-China Archive](https://chinaarchive.net/wp-content/uploads/2022/11/image-191x300.png)
