Donggao’s landscape and scenery are combined with the imperial Wenjin Pavilion as a song fan

[Dong Gao’s landscape painting and calligraphy, the imperial Wenjin Pavilion Song Fan]

“Landscape painting and calligraphy, the imperial Wenjin Pavilion Song Fan”, Qing Dynasty, Dong Gao’s painting and calligraphy, 17.2 cm long and 53 cm horizontal
The fan bone is black hardwood
One side is plain paper, painted with small landscapes. Note: “My official Dong Gao is painting respectfully”, with the seal of “My official” Bai Wenfang and “Gao” Zhu Wenfang
The landscape is mainly green and full of poetry and vitality. The painting has the characteristics of “Four Kings”, which was popular in the early Qing Dynasty. The composition of the painting is based on the broad horizon method, with mountains in the distance and pines in the shade; Close view of the clear water of Pinghu Lake and the blooming lotus. The pavilions, pavilions and pavilions in the waterside, the mountain depressions, and the banqiao waterside pavilions are interspersed and looming, just like a fairyland on the earth, which has won the aesthetic interest of the indifferent and quiet literati painting. There are many scenes in the picture, but they are dense and scattered. They are lively and interesting in the strict rules and regulations. The moss spots of the rocks are mostly horizontal points of the side front lying pen, which not only obtain the hard texture of the stone body, but also retain the lush and deep beauty of the mountains, representing the typical style of the small green landscape of Dong Gao
On the other side is the clay paper, which is written by the emperor, “Wenjin Pavilion Songs”. Note: “My official Dong Gao is writing a letter”, with the seal of “My official” Bai Wenfang and “Gao” Zhu Wenfang
The Wenjin Pavilion is the first of the four northern pavilions (Wenyuan Pavilion, Wenyuan Pavilion, Wensu Pavilion, and Wenjin Pavilion) to be built, but the latest to be released is the “Complete Book of Four Libraries”. In the spring of the 49th year of Qianlong’s reign in the Qing Dynasty (1784), the fourth copy of the Siku Quanshu was transcribed and delivered to the pavilion in four batches in the following spring. Emperor Qianlong was very happy to hear it and wrote “Wenjin Pavilion Songs” with a brush. This song is a seven-character poem, which points out the reason why the four pavilions of Wenyuan, Wenyuan, Wensu and Wenjin North were named and the basis for the decoration of the classics, history, books and collections of the “Complete Book of Four Kus” according to spring, summer, autumn and winter. After the song was written, Dong Gao, a senior scholar, copied it on the fan in neat and regular script to show the joy of the emperor and his ministers in celebrating the Wenjin Pavilion’s entry into Tibet. The poem said: “The complete book of the four treasuries, like planting a tree for ten years, has been completed. From the abyss to the source, it is the essence of the source. It seems to be incoherent before and after the name, and the seven-character long song explains its meaning. The source of the source is the source of the source, and the source can be known. The recycling company is fertile in the heart, and the inner saints and the outer kings are prepared. It is as great as considering its five colors, and it can be divided into four seasons. The integrity of the classics is marked by green, and the history is great as red and so on. It is also appropriate for Zixiao to harvest white in the autumn, and the collection is the place of winter and black. Such as the four virtues of Qian At the age of four, the colors are different. If you talk about it, you should not talk about it. “

山水景致并书御制文津阁作歌扇（画面）