Fushan Landscape Atlas

[Fushan Landscape Atlas]

Landscape Atlas, Qing Dynasty, Fushan painting, silk color, 36.5 cm vertical, 37 cm horizontal
There are six copies of this volume in total, and each one has a correct title, which is “double peak of writing and writing”, “difficult to get old in Weng Quan”, “? (left” mountain “and right” house “)? (“Mountain” on the left and “Wei” on the right) Red leaves “,” Snow at Tianmen “,” Strange cypress at Tutang “,” Ancient Guo sunset “. The style of this painting is beyond that of the ancients, which is quite humorous. Just as Zhang Geng’s “Collection of Paintings of the National Dynasty” in the Qing Dynasty commented that Fu Shan “is good at painting landscapes, not much chapped, and the gullies are leike, winning with bones”, which should be one of Fu Shan’s fine works. In terms of the “strange cypress in the earth hall”, the distance is a high mountain cliff, and the close view is a majestic and thick overhanging rock and stone, with ancient cypress as a foil, which is unique and elegant. The shape of trees and stones in Fu Shan’s paintings is very striking. The image of cypress is different from that of ordinary literati painters. This is because the image of cypress is more suitable for Fu Shan’s brush and ink habits. The leaves and stems of the cypress can be written in large rough letters to express the thick feeling, and can be broken with a fine pen to fully display the dry, wet, thick and light ink. There is a lot of creative space between rough and fine. For Fu Shan, who does not abide by the ancient law, the image of cypress is undoubtedly an excellent medium for him to convey his inner feelings
In terms of embodying the spirit of the times, although Fu Shan’s paintings are not as eye-catching and lifelike as those of the Eighth National Congress of the Communist Party of China, Shi Tao and others, and the performance skills are also somewhat amateurish, the ink and spirit contained in the paintings should be connected with his calligraphy. The analysis of his paintings will undoubtedly deepen the understanding of the change of his style. From this point of view, Fu Shan’s painting has its own artistic value


傅山山水图册傅山山水图册傅山山水图册傅山山水图册傅山山水图册