Huaguan Yongrong image shaft

[Huaguan Yongrong Image Axis]

Yongrong Image axis, Qing Dynasty, Huaguan painting, paper version, color setting, 115.8 cm in vertical and 47.6 cm in horizontal
This picture: “Huaguan sincerely writes”, with “Huaguan” rectangular seal in red text at the bottom, and “Pei Yisheng Zhenjing” rectangular seal in red text at the top right corner. The seal of Zhu Wenfang, “hidden by Chang Chau Chang’s family”, is mounted on it
This is a portrait of people with scenes. The protagonist Yongrong sat down beside the pool in full spirit. In front of him was the blue water lotus pond, which was “driven by the waves and linked with the shade, and the shadow came with the wind”. Behind him was a thriving dense bamboo forest. The green bamboo and the clear lotus reflect each other, embellishing the clear and beautiful scenery in June, and also embodying the “gentleman” quality that is always cherished by the painter
The bamboo forest in the picture occupies the top half of the picture. The bamboo trunk is round and neat with the pen. The elastic lines accurately depict the flexibility and beauty of the bamboo. The bamboo leaves are directly haloed with juicy green, and the leaves are overlapped and scattered, complex and not disordered. The light colors in the front and back not only enrich the level changes of the color scale, but also expand the sense of space from the near to the far
The figure in the picture is sketched with the traditional Chinese portrait method. The face is first modeled with light ochre lines to draw the skeleton outline, then the ochre flat paint to show the skin color, and finally the eyebrows and eyes are painted with heavy ink to highlight the charm of the figure
Yongrong is very satisfied with this picture with both form and spirit, Write a long title at the poem hall of the painting to express feelings: “At the beginning of the country, it is said that the gods are beautiful and beautiful, and the crown can enter the house at night. When I moved to the south of the Yangtze River in June, the water bamboo, wind and lotus shed light. The exquisite green trees have not been born in autumn, and I have felt that the streamer is sickening to people. The streamer is merciless and frosty, and the cricket has spent ten years in the hall. When the crown was made, the pen was strong and sharp, and I sat here to release the blue bag. There was no sound from the Yumei Yu Ridge, and I also sent the book to the twilight. The face in the mirror was old, and the silk in the suitcase was still intact. The old picture suddenly changed into a new one, and the face of the mountain was real when I smiled. There will be a trail Come again, this painting will become old again. Emperor Qianlong Yisi, the six sons of the emperor asked themselves. ” The next seal is “Emperor’s Six Chapters” and “Calligraphy and Painting Seal”. Yisi was born in 1785, the fiftieth year of the reign of Emperor Qianlong of the Qing Dynasty. Yongrong was 42 years old
Yongyong (1743-1790), the owner of Jiusi. The sixth son of Emperor Qianlong, Su Jia, the imperial concubine of Emperor Chun. He is a master of numeracy, skilled in painting, rich in literary talent, and likes to make friends with scholars and scholars. After the official establishment of the Siku Quanshu Museum, he was appointed as the chief executive officer and president of the Prime Minister’s Museum with his prince Yongxuan, Yongyu, his bachelor Liu Tongxun and Yu Minzhong. He is the author of Jiusi Tang Poems. His posthumous title is Zhuang.