[Zhao Zhiqian’s Anthurium Wild Goose Comes to the Red Axis]
The Anthurium Wild Goose Comes to the Red Axis, painted by Zhao Zhiqian in the Qing Dynasty, paper, colored, 139.6 cm vertically and 37.5 cm horizontally
The title of this painting: “The fifth brother in the book is a painting, Zhao Zhiqian.” The seal is “Zhao Zhiqian”
The chrysanthemums, hydrangeas, wild geese and other flowers painted in this picture are all traditional painting themes that Chinese literati like. Chrysanthemum has the metaphor of purity and purity, hydrangea has the meaning of elegance and vulgarity, and wild goose has the air of loneliness and freshness. The author painted these three flowers on a piece of paper, implying elegance
This painting has excellent strokes and ink. The branches in the painting are made of calligraphy. It is broad and honest, and the ink and water blend. The color is gorgeous and refined. The author is good at the inscription of the running script on the north tablet, which is organically integrated with the picture.
![图片[1]-Zhao Zhiqian’s chrysanthemum and wild goose come to the red picture axis-China Archive](https://chinaarchive.net/Qing dynasty/painting/25268[1024].jpg)
![[Qing Dynasty] British female painter—Elizabeth Keith, using woodblock prints to record China from the late Qing Dynasty to the early Republic of China—1915-China Archive](https://chinaarchive.net/wp-content/uploads/2022/11/image-191x300.png)
