Wang Chong’s cursive scroll

[Wang Chong’s Cursive Script Poetry Axis]

Cursive Script Poetry, Ming Dynasty, Wang Chong’s book, paper book, vertical axis, vertical 82 cm, horizontal 28.8 cm, cursive script, 5 lines, 89 words
Interpretation:
Sichuan women have fresh makeup at night. The sunset is light and the boat is full of flowers. At dusk, the waves rise and the wind turns. It’s close to Hengtang from now on. You can walk alone in the deep river without a companion at night. On September 23, Bingxu sat in the book pavilion with Ziling and Yuanbinyan, and wrote here. When he drank from Hongzhi, he was drunk, regardless of the pen and ink. Wang Chong is a lucky man
The seal on this painting is “Wang Luji”, “Wei Wei Zhai”, and the seal on the head is “Da Yatang”. The collection seals are “Tsinghua Pavilion Seal”, “Zhen Lang” and “Yu Shi Shi”
“Women in Sichuan” was written by Cui Hao, a poet of the Tang Dynasty. The year of “Bingxu” was the fifth year of Jiajing in the Ming Dynasty (1526), and Wang Chong was 33 years old. In the title, “Ziling” refers to Chen Ziling, a disciple of Wang Chong. “Yuanbin” means Jin Yong, the character Yuanbin, born in Pengcheng, Jiangsu, and Wang Chong
The calligraphic style of Cursive Script Poetry is unrestrained and unrestrained, and it is sound and fleeting, especially the word “solo”, which is incisive and lively, with its sharp edge exposed. It says to itself: “Drink and get drunk, regardless of pen and ink”. It can be seen that it is more natural and straightforward after drinking. Wang Chong’s calligraphy was deeply influenced by Wang Xian, and this book still has the charm of offering. It is handsome and elegant, with restrained strokes and bones, strong and relaxed. It is also as Xing Dong of the Ming Dynasty commented in the Collection of the Bird House: “The lucky book was originally produced by himself, and it is beautiful and beautiful, and it stands tall and tall.” Drunk and intoxicated, it has a lot of fun.