Wang Xuan’s calligraphic script in regular script was completed and the poem page was combined

[Wang Xuan’s script in regular script and the combination of calligraphy and poetry]

The combination of calligraphy and poetry by hand page, Ming Dynasty, Wang Xuan’s script, paper book, regular script, 18.1 cm vertically and 38.7 cm horizontally
Explanatory text:
Zhao Fu: When the boy arrived, he finished the poem and wrote it in disgrace. He also recorded Mr. Yunweng’s Jisun’s study and chapter, which made him think of clouds and clouds. Today, the old rhyme is still used because of the stone in the mountain. It is also used as a short sentence to send a message, and it is used as the night song of the morning ape. The woodcutter in the forest is Wang Shangfu, and the white woodcutter is a high scholar
It is difficult to determine the trace, and the emperor thinks of every surprise. How many years do you know when to change. In the rainy river village night, the light lamp alone. At this time, who speaks together, only remember the past alliance
See two rhymes in Anshan. Spring returns in the rain, and the fragrance of spring is fading. I often listen to birds in the woods, but I remember them in the rock. The moon night poem is empty, and the flower time is about to violate. A few sleepless sleepless sleepless sleepless nights. Du Yu in Yingxiejiang Township is sad, and his old friend looks away from him for a long time. Dreams are always cut because of spring, and books are sent every night from the mountains. Look for the distant temple beside the rainforest, and visit the Cong Temple under the sunset ridge. It’s not like the West Wind Guizi Period
There are 9 seals in the collection, including “Yizhou Appreciation”, “South China Sea Wu’s Nansuzhai Secret Collection Seal”, “Gu Song’s Seal”, and “Zhang Heng’s Private Seal”
This is a letter and three poems written by Wang Xuan to “Bai Shan Gao Shi”, expressing the yearning for friends and the desire to meet. The first one is the fourth volume of Wang Xuan’s poetry collection Qingcheng Shanren Collection, which is entitled “Sending Yu to Official Business”; The third one is published in Volume VI, entitled “Sending Friends”; The second one is a work outside the collection. Calligraphy is natural and ancient, and its mood is calm and peaceful. Learning from Zhong You and Wang Xizhi, and with the charm of Zhao Mengfu’s calligraphy, it is a common appearance of Xiaokai in the late Yuan and early Ming dynasties.