Wang Wenyin Baojie Mountain Map Axis

[Wang Wen’s Map Axis of Hidden Treasure Territory]

The Map Axis of Hidden Treasure Territory, Ming Dynasty, Wang Wen’s painting, silk book, ink brush, 116 cm vertically and 62.5 cm horizontally
The top left title of the painting heart: “Where is the Yilu after reading in the Baojie Mountain. Jiajing Wushen was the first to resign from the Lingnan Mountain. He was proud of it, and he was still and far away from each other, so he could live alone.” The poem said: When the rain and snow on the barren mountain are cold at dusk, the green trees are hanging on the lake, and the orange pomelo is hanging down. The returning Zhao is looking for the fishing path again, and the secluded residence is moving towards the valley cloud. The perch, like Zhang Hansi, is too early, and the wine is too late to be brewed for the Yuan Ming. The wood and stone have long known the unique deer nature, and the savages should not doubt each other. The king of Zhongshan asked to write and write. “The seal of the king asked” , “Jinshi”, etc. According to the inscription and postscript of the picture, it can be seen that the picture was painted by Wang Wen when he lived in seclusion and studied in Baojie Mountain, Wuxi, in the Wushen year of Jiajing (27th year, 1548 year). It was painted by the painter when he was 53 years old. Appreciation seal: “Shiqu Treasure Collection”, “Qianlong Imperial Treasure”, “Qianlong Appreciation”, “Sanshitang Precise Seal”, “Yizi”, etc. At the bottom right of the painting is the white square seal of “Nothing against the Green Hill”, and at the bottom left is the Zhu rectangle seal of “Xianxi Chen’s Jade Step Collection”
The painting should be the real scene of Baojie Mountain. In the house built in the middle of the mountain, Wang Wen sat on his side and was reading in front of the view. The fishing boat in front of the house was moored on the bank, full of life. The painter painted mixed trees in thick ink, crisscross and unconstrained, and several thatched houses were written in fine light ink. The pen is vigorous and vigorous, and the contrast and contrast between the light and the light, the light and the light, the dynamic and the static are just right. Wang Wen’s works have not been handed down to many generations, and it is not easy to get the most outstanding works in this golden age
This picture was originally collected in the Qing Dynasty Palace, and later became a folk. Mr. Gu Tiefu (1908-1990), an archaeologist of the Palace Museum, bought it in Guangzhou in 1949. In 1994, Mr. Gu’s family donated the picture to the Palace Museum according to his will.