Ming Tuozhen Appreciation Sutra

[Ming Tuo Zhen Shang Zhai Tie]

Zhen Shang Zhai Tie, a volume of 44 pages, each page 27.4 cm vertically and 15 cm horizontally, mounted, with cicada wings expanded, with extremely fine decoration
This placard was carved in the first year of Jiajing (1522) of the Ming Dynasty. It was compiled by the Chinese people and engraved by Zhang Jianfu. The stone is in Suzhou. Huaxia, a native of Wuxi, is erudite and good at antiquity. Ding Yi is very rich in collecting paintings, calligraphy, calligraphy, and calligraphy
There are three volumes of gold stickers. The first volume is the “Jizhi Table” written by Zhong You of the Three Kingdoms, the middle volume is the “Yuan Sheng Tie” written by Wang Xizhi of Jin Dynasty, and the second volume is the “Long Live Tongtian Tie” written by Wang Fangqing of Tang Dynasty, and the postscripts of Yue Ke, Lu Xingzhi, Zheng Yuanyou, Zhang Yu, Yuan Tai, Li Yingzhen, Wu Kuan, etc. are engraved
The postscript was destroyed by fire soon after, and the reprint was a little inferior, so there are two different versions: the pre-fire version and the post-fire version. The 10th and 11th lines of Yuan Taiba in the pre-fire version were reversed and corrected when re-carved, which became one of the significant differences between the two versions. The world is heavy, but it is rare to be handed down. This really appreciative calligraphy is a pre-fire edition, which is refined and refined in light ink, and is not less delicate. It can be said that “paper is like yellow silk, and ink is like cicada wings”
Rong Geng’s Cong Tiemu is described.
图片[1]-Ming Tuozhen Appreciation Sutra-China Archive
图片[2]-Ming Tuozhen Appreciation Sutra-China Archive真赏斋帖-帖文之一图片[3]-Ming Tuozhen Appreciation Sutra-China Archive真赏斋帖-帖文之二图片[4]-Ming Tuozhen Appreciation Sutra-China Archive真赏斋帖-帖文之三图片[5]-Ming Tuozhen Appreciation Sutra-China Archive真赏斋帖-帖文之四图片[6]-Ming Tuozhen Appreciation Sutra-China Archive真赏斋帖-帖文之五图片[7]-Ming Tuozhen Appreciation Sutra-China Archive真赏斋帖-帖文之六图片[8]-Ming Tuozhen Appreciation Sutra-China Archive真赏斋帖-帖文之七图片[9]-Ming Tuozhen Appreciation Sutra-China Archive真赏斋帖-帖文之八图片[10]-Ming Tuozhen Appreciation Sutra-China Archive真赏斋帖-帖文之九图片[11]-Ming Tuozhen Appreciation Sutra-China Archive真赏斋帖-帖文之十图片[12]-Ming Tuozhen Appreciation Sutra-China Archive真赏斋帖-帖文之十一图片[13]-Ming Tuozhen Appreciation Sutra-China Archive真赏斋帖-帖文之十二图片[14]-Ming Tuozhen Appreciation Sutra-China Archive真赏斋帖-帖文之十三图片[15]-Ming Tuozhen Appreciation Sutra-China Archive真赏斋帖-帖文之十四图片[16]-Ming Tuozhen Appreciation Sutra-China Archive真赏斋帖-帖文之十五图片[17]-Ming Tuozhen Appreciation Sutra-China Archive真赏斋帖-帖文之十六图片[18]-Ming Tuozhen Appreciation Sutra-China Archive真赏斋帖-帖文之十七图片[19]-Ming Tuozhen Appreciation Sutra-China Archive真赏斋帖-帖文之十八图片[20]-Ming Tuozhen Appreciation Sutra-China Archive真赏斋帖-帖文之十九图片[21]-Ming Tuozhen Appreciation Sutra-China Archive真赏斋帖-帖文之二十图片[22]-Ming Tuozhen Appreciation Sutra-China Archive真赏斋帖-帖文之二十一图片[23]-Ming Tuozhen Appreciation Sutra-China Archive真赏斋帖-帖文之二十二图片[24]-Ming Tuozhen Appreciation Sutra-China Archive真赏斋帖-帖文之二十三图片[25]-Ming Tuozhen Appreciation Sutra-China Archive真赏斋帖-帖文之二十四图片[26]-Ming Tuozhen Appreciation Sutra-China Archive真赏斋帖-帖文之二十五

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