Yang Wencong Xianren Village Dock Map Axis

[Yang Wencong Xianren Village Dock Map Axis]

Xianren Village Dock Map Axis, Ming Dynasty, Yang Wencong’s painting, paper, ink, 131.8 cm vertically and 51.2 cm horizontally
The picture depicts the scene of secluded residence in the deep mountains, the dangerous peaks and cliffs, the Jiamu on the slope bank, the pavilion on the riverside, the open water pool, and several remote islands, where the Gao Shi sits facing the river, feeling thoughtful. This painting mainly uses dry pen and light ink, the outline of the mountain stone is drawn with a clear and powerful pen, and the main body of the tree stone is chapped with dry pen for many times, laying the tone of the whole picture. The inscription on the top right echoes the “L” – shaped composition of this painting, and the elegant calligraphy and painting are ingeniously integrated. The artistic conception of this painting is extremely mundane and elegant. It is no wonder that Dong Qichang commented on its landscape and said: “The strength of Song people goes to its knot, and the elegance of Yuan people goes to its frivolity.”
The author knows from himself: “The tapestry of the fairy village is a screen, and the chicken and dog cloud is closed in the middle of the house. The fireworks and the red world are not damaged, and the Buddha ceremony is embroidered in the long room, and the yellow court. The spring of the noon is painted in the Qingshun Pavilion of the Oujiang River. Yang Wencong.” The seal of “Yang Wencong”, Zhu Wenyin, and “Long You”, Zhu Wenyin. There are also four sides of “Xiyi” white text, such as identification, collection and printing