Qiu Ying Linxi Water Pavilion Page

[Drawing page of Qiu Ying’s Pavilion in the Stream]

The painting page of the Pavilion in the Stream, Ming Dynasty, Qiu Ying’s painting, silk version, color setting, 41.1 cm vertically and 33.8 cm horizontally
This page is signed with “Qiu Yingshi’s father.” and the “real father” seal. The collection seal has two sides: “Chengfu Treasure” and “Pangleichen Treasure Seal”
Qiu Ying “was a painter at the beginning, and he also painted the pillars of the world, and later became a painter, and he painted the pavilions of the characters.” Perhaps it was because of his origin. The pavilions in his paintings were mostly painted with boundary brushes, but unlike pure boundary paintings, Qiu Ying’s painting skills were also influenced by professional painters and literati painters. This painting is also a clever combination of literati landscape and Jiebi Shuige. It pursues an implicit style and aims to create an artistic image appreciated by scholars.