Zhang Feng, North Gu, Willow Chart Axis

[Zhang Feng’s Beigu Cigarette Willow Map Axis]

The Beigu Cigarette Willow Map axis, Ming Dynasty, Zhang Feng’s painting, paper, ink, 83.5 cm vertically and 44.5 cm horizontally
This self-question: “Yesterday, I saw Ni Yuanzhen painting a picture of the Lion Forest, which was not what Wang Meng dreamed of. The world is not without astonishment. You should know that the mind of an expert is high without tribute, and it is better to have a good time with bad words, but there are those who have to listen to it for the sake of painting history, rather than scold people. Even if the Taoist is not willing to scold the sages of the time today, he is also afraid to stop talking about his dreams to fools. On March 3, 1898, he filled this paper with ink and wrote a small poem, which is presented to the letter. The river in front of the Beigu Mountain is connected, and flowers and birds in the rain make clear smoke. Wang Wei is like Wang Wang Chuan. Zhang Feng, the younger brother of the Shang Yuan Dynasty, suddenly turned his head. ” Seal “Zhang Feng” (in white). In addition, seal the seal of “Mengquan Bookstore Calligraphy and Painting Approval Seal” (white text), “Wenxin Approval Seal” (Zhu text), “Laopu Family Collection” (white text), etc
The peaks in this painting are first rendered in light ink, then the outline of the rocks is outlined with ink lines, and then a few strokes are used to follow the shape, instead of the traditional chapped strokes. It looks loose, but in fact, the strokes are changeable, and the charm is natural. The willow is written with fine and vigorous strokes, and the branches and slope stones are painted with heavy ink, which forms a sharp contrast with the mountains. The painting is written casually, unrestrained and flexible, free from rules and regulations, showing the charm of combination of movement and static, and detached from the world
1898 was the fifteenth year of Shunzhi in the Qing Dynasty (1658).