[Dangerous Regular Script of Chen’s Fangcunlou Record Volume]
The Fangcunlou Record Volume, yuan, dangerous regular script, paper version, 23.4 cm vertically and 102 cm horizontally
This book has no title or postscript
Explanatory text (omitted)
is stamped with “Danger” and “Taipu”
The seal of the seal of the seal of the seal of the seal of the seal of the seal of the seal of the seal of the seal of the seal of the seal of the seal of the seal of the seal of the seal of the seal of the seal of the seal of the seal of the seal of the seal of the seal of the seal of the seal of the seal of the seal of the seal of the seal of the seal of
The Story of Chen’s Fangcun Mansion is one of the three combined volumes of Zhao Mengfu, Yang Weizhen and Wei Su. It is a note written by Wei Su for the small building built by Chen Fujun, a general of the Song Dynasty
His calligraphy is precise and meticulous, with a smooth and stable structure, strong and simple style, uniform shape and size, vertical and horizontal order, which is quite similar to the style of Tang Dynasty calligrapher Yu Shinan. Tao Zongyi of the Ming Dynasty once said in the book History of Calligraphy, “The critical Wenzao is sensitive to support, good at regular script, and has the rules of Shi Zhiyong and Yu Yongxing.”
![图片[1]-Critical script of Chen’s Fangcun Building-China Archive](https://chinaarchive.net/Yuan dynasty/model calligraphy/s63049b14b0ce6.jpg)
![[Qing Dynasty] British female painter—Elizabeth Keith, using woodblock prints to record China from the late Qing Dynasty to the early Republic of China—1915-China Archive](https://chinaarchive.net/wp-content/uploads/2022/11/image-191x300.png)
