Zhang Yu’s calligraphy, painting and poem sticker

[Zhang Yushu Inscription Poem Sticker Page]

Inscription Poem Sticker Page, Yuan, Zhang Yushu, paper, 29.3 cm vertically, 148.5 cm horizontally, running script
Interpretation:
The Qing Dynasty is like Wang Mojie, who loves to write snowy mountains to the high hall. Huagai Cave is like a house, and the world is outside the Chilan Bridge. The Qionglou only allows flying immortals to live, and the Pearl Tree should be left for the Zhinu to climb. Don’t believe that the cold spring hurts the jade toe. It’s best to listen to the ripples in the summer. At the end of the strange day, the cold clouds are thick, and the rolling curtains are golden and green, giving rise to hibiscus. It seems to pour the snow on the Longmen of the Three Gorges to wash the Jade Lady Peak. The dark leopard hides the deep fog and rain, and the green shade is short of small houses. I plan to ask for Xu Guo Immortal Residence. I know how many times it is separated from Qionghua
The right title is Zhang Yanfu’s two pictures of “Snow Mountain Louguan” and “Cloud Forest Hermit”. Rain
Then write the small characters:
On the evening of April 26, the rain tested the pen. At this time, the Tianjing Temple and Zhuo Temple were lying in the cool room, and Bruce Lee was in the Tiannian sleeve
Seal “Zhang Yu’s private seal”, “Zhang Tianyu’s seal in the history of the song”
There are poems by Zheng Yuanyou, titles by Luo Tianchi and calligraphy by Nan Guoweng at the back of the volume. Among them, a section of Nanguo Weng’s calligraphy has no inevitable connection with the “Painting Poems”. Before the volume, Shen Zengzhi introduced the official script of “poetry leaves the flavor of painting”. The poems and paintings of the celestial sphere in the Ming and Zhou dynasties are all fake
In the text, “Zhang Yanfu” is a person from the Yuan Dynasty to the right time, who is also known as the 6th Taoist priest. He lives in Beijing and is good at painting landscapes
At the end of the volume, there is a sentence in the title of Zheng Yuanyou’s poem, “The poor man’s head has turned white”, which is the work of Zhang Yu in his later years. The calligraphy of the “Painting Poem Calligraphy” is clear and fluent, relaxed and elegant, with many changes, and quite a bit harsh and crazy. Zhang Yu’s calligraphy was influenced by Zhao Mengfu in his early years. Later, he got the “Moushan Stele”, and the book changed. Therefore, the calligraphy and painting on the title are clear and elegant, and have the style of the Tang Dynasty. Zhang Yu has twin works, and the American Metropolis has another one, no postscript. In comparison, the Forbidden City is a copy and the Metropolis is a written version, which should be authentic.