Zhu Xi’s poem volume of advocating harmony in the south of the city

[Zhu Xi’s Xingshu Chengnan Advocacy Poetry Volume]

Chengnan Advocacy Poetry Volume, Southern Song Dynasty, Zhu Xi’s book, paper book, hand scroll, vertical 31.5 cm, horizontal 275.5 cm, Xingshu, 65 lines, 464 characters
Commentary on the volume of “South of the City Advocates Harmony”:
The original Xitan water converges in the south of the city. The flowers on the bank are blooming and falling, and the water is not shallow and deep. The lake is surrounded by wind and laurel, just like the east of the water. The moonlight wears through the forest, but falls in the blue waves. The four prefaces of Dongzhu have good taste. Sing along the bridge and forget it when you look back. When the reed is low at the window of Yonggui Bridge in autumn, there will be river Xiangsi. After a long time of weariness, fish do not have to avoid. The captain of the boathouse is in the wood-cutting section. The birds return at dusk, and spring water grows in front of the door. On the north side of Lize Yilan, there are many winding winds. May the words take root, and the fragrance will always be comforted. There are small and towering rocks in the Lanjian, and the bamboos are high. The land is slanted and there are few people. The windlass of the ancient well is ringing. There are thousands of books in the high buildings in the mountain. I can’t see it from the past. How can I lean on the sill. The pavilion in the study building is only looking for zhang, and the water bamboo is also small. Guests must pay homage, and the title is Weng Shu. Mengxuan Flowing Spring is written from the Qing Dynasty, touching the stone for a short and long time. In poor years, bamboo roots, reading with me. The mountain gas is good in the Shise cloud, and the mountain scenery is quiet. What is the meaning of the secret. The cirrus pavilion was planted with weeping willows the year before last. Don’t climb and fold the long strip until it reflects the waves. The willow dyke has a bright inverted view, and the gold waves are surging on the surface. There is no good moon anywhere, but there are many here. The moon pavilion is not good enough to wash the ripples. Picking it without surplus, and forgetting hunger at dusk. Zhuoqing Pavilion is tied to the west bank of the boat, and the towel comes and goes. The flowers and trees on the island are deep, and cicadas are singing nowhere. The valley of the West Island is overcast with bamboos and hanging stones. Come here to listen to Cong Cheng. The plum trees on the Tingting Causeway of the Cong Cheng Valley are reflected in the waves. I remember my husband at the age of, lonely and quiet. The plum dike wind blows the rain on the ferry, and the sound of the “red canopy” is heard. Xin Ran knows where to go, and who to comment with. Listen to the rain boat scatter and move down the pavilion. The water is clear and the fish can be counted. But he went up to collect the boat and rode the wind across Nanpu. The Xiangshui River is connected to the Dongting River by the Lingzhou Boat, and the autumn mountains are clear from afar. When I boarded Nanfu, I scratched my head and didn’t stop. There are 20 chants in the south of the city of Zhang Xuangong on the right side of Nanfu. Yu Zixian’s family in Nansha was named Qian Guang by Zhu Zishihan, his family member, and the true work of Xuangong was very easy. Yu Lailou, Xianjie and his friend Wang Shidao, came to collect Yu Yan with a scroll. It is suitable for Xuangong to gather his Yuan song and bow to Yu Di for the second time. Please make up the book and Xuangong’s poem before you reach it. By December of Zhengrenyin Winter, Yang Zhenzhen, the East Visor, would like to worship the book again. I have already written poems, and I have reviewed the poems of two former philosophers. Zhu Zi didn’t dare to comment on his words. He didn’t want Zhang Jingzhou to be a Taoist gentleman, but he also said that Zhang Xiaozhang was a man of ancient style. For example, “the flowers on the bank open and fall, and the water flow is not shallow and deep”, “the birds return at dusk, and the spring water grows in front of the door”, and “the windlass of the ancient well”, although the Kaiyuan poet cannot arrive. As far as the chapter of rolling clouds is concerned, only Xu Chushi wrote it. I would like to comment on it
This seal is “Zhu Xi’s seal”. Seal “Sun Chengze Seal”, “Zhuan An Seal”, “Wang Yan Seal”, “Wang Zaoru Collection Book” and other seals of Jiaqing and Xuantong internal government. After the volume, there are inscriptions and postscripts of Sima Ju of the Ming Dynasty, as well as those of Gan Wenchuan, Huang Jin, Gan Yuan, Li Dongyang, Wu Kuan, Zhou Mu, Lu Jian, He Qiaoxin, Dong Yue, Li Shishi, Zhang Yuanzhen and Fei Hong of the Ming Dynasty. Introduce Li Dongyang’s seal book “Huiweng Handwash”, and Sun Chengze’s title “Yuanhui Master Handwash” across the water
The poem advocating peace is Zhu Xi’s “work of worshipping the south of the city with respect to his brother”. Respecting the husband is Zhang Shi. According to the Yitong Chronicle, “Zhang Shi (No. Nanxuan), a native of Guanghan, was born in Shaoxing. He followed his father to visit Tanzhou, the place where the Great Scholar of the Literature Hall lived, because he lived in Hunan. When Hu Wufeng (Hong) lectured on Mount Hengshan, Shi paid a visit, and learned from it. He built the Chengnan Academy at Miaohao, and became a scholar. During the Qianlong period, Mr. Zhu Ziwen’s Hu’s study was visited and heard in Changsha.” According to the Annals of Zhu Zi, the time of writing of this poem is recorded, Mr. Xu Bangda said: “Zhu Xi visited Zhang Shi in Tanzhou. In August of the third year of Qiandao, he visited the magnificent scenery in the south of the city and sang many poems with Zhang Shi. The twenty chants were written after his visit to the pond, and the time of writing is probably not far away.” According to this, it was determined that “Zhu Xi was 38 years old in the third year of Qiandao (1167).”
This volume is Zhu Xi’s early calligraphy. The strokes are fast, and he has no intention to work, but the strokes are not in line with the rules of calligraphers. The rhyme is mellow and elegant, and the elegance is gratifying, It is the representative work of Zhu Xi’s calligraphy. It is the old collection of the Qing Palace
Zhu Cunli’s “Iron Net Coral” in the Ming Dynasty, Wenjia’s “Qian Shan Tang Calligraphy and Painting Records”, Sun Chengze’s “Gengzi Selling the Summer” in the Qing Dynasty, Bian Yongyu’s “Collection of Calligraphy and Painting in Shigu Tang”, “Shiqu Treasure Collection · Three Editions” and other books.