Jingdezhen kiln blue-and-white glaze carved flower injection pot, warm bowl

[Jingdezhen kiln blue-and-white glaze carved flower injection pot and warm bowl]

Jingdezhen kiln blue-and-white glaze carved flower injection pot and warm bowl, Song Dynasty, 24.3 cm high. Note pot: 21.5cm high, 3.5cm caliber, 9cm foot diameter; Warm bowl: 12.3 cm in height, 17 cm in diameter, 9.8 cm in foot diameter
The spout is straight, the shoulder is folded, the shoulder is carved with a peony pattern, and the curved flow, crank and foot are symmetrically placed. It is attached with a cylindrical cover, with a squatting lion button on the top of the cover, with the head up and the tail up, which is vivid. The warm bowl is in the shape of six-petal sunflower, with deep arc wall and round feet. The pot and bowl are painted with blue and white glaze
The warm bowl is a complete set of warm wine utensils. When warming wine, put the filling pot in a warm bowl and warm it with hot water in the bowl. From the physical objects unearthed from the Chronological Tomb, the complete sets of injection pots and warm bowls are mostly relics of the Northern Song Dynasty. Among them, a set of blue-and-white glazed injection pots and warm bowls unearthed from the tomb of Wu Zhengchen and his wife in the second year of Yuanyou in the Northern Song Dynasty (1087) in Susong, Anhui Province, are the most exquisite. Song Mengyuan’s old “The Dream of Tokyo” said: “Most people in the capital are extravagant in customs and measure a little wider. In hotels, regardless of who they are, they should not only drink wine while sitting opposite each other, but also use a set of injection bowls, two sets of plates, five pieces of fruit and vegetable dishes, three or five water and vegetable bowls, that is, nearly one hundred liang of silver.” This shows that the use of injection pots and warm bowls was popular in the Northern Song Dynasty.

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