The second reading of Shizai in Zhu Xi’s running script

[Zhu Xi’s Xingshu Shangshi Zai Er Zha]

Shangshi Zai Er Zha, Song Dynasty, Zhu Xi’s book, paper book, scroll, Xingshu, the first Zha is 33.8 cm long, 68.2 cm horizontal, 23 lines, 297 characters, the second Zha is 33.3 cm vertical, 28.5 cm horizontal, 10 lines, 104 characters
This seal is stamped with “Shuruo”, “Shigutang”, and “unscathed”. The postscript of Wu Kuan, Chen Jingzong, Liao Zhuang, and Li Dongyang in the Ming Dynasty
Shangshi Zai Er Zha is also called Junhan and Haomin Er Zha. The first letter talked about accepting the officials and people and reviewing the documents with a sickly body. The spirit and blood were exhausted and hard to support. According to the “Song History · Biography of Zhu Xi”, “In the fifth year of Chunxi’s reign, except knowing the Nankang Army, Xi was not allowed to resign”. In fact, Zhu Xi took office in March of the sixth year. In the article, Zhu Xi was in charge of the “Nankang Military”. In June of this year, he begged for tax reduction in Xingzi County, that is, “tax reduction with gift and temple invitation”. It can be seen that Zazi was born in June of the sixth year of Chunxi, and Zhu Xi was 50 years old
The second letter is that the report involves the crafty disobedience of the rich people in Wuzhou. The signature is “On the 16th of the first month, the missionary Lang Zhimi Pavilion, and the mention of the two East Zhejiang Road Changping Tea and Salt Affairs borrowed from Zhu Xi.” According to the title, “the mention of the two East Zhejiang Road Changping Tea and Salt Affairs” should be in the ninth year of Chunxi, and Zhu Xi is 53 years old
These two letters are written by Zhu Xi in his middle age. The writing style of the letters is simple and the rhyme is overflowing between paper and ink. The style of the book is profound and ancient, and has the style of scholar
Bian Yongyu in the Qing Dynasty, such books as “Collection of Paintings and Calligraphy in Shigutang”, Gu Fu, “Life is Magnificent”, Lu Xinyuan, “Rang Li Guan’s Eyes”, and Gu Wenbin, “Calligraphy and Painting in the Cloud Pavilion”.