Blue glaze four-series bottle of Yue kiln

[Yue kiln celadon four-series bottle]

Yue kiln celadon four-series bottle, Tang Dynasty, 35 cm high, 18.9 cm caliber, and 11 cm bottom diameter
Bottle tray mouth, thin neck, shoulders, shoulders with round four series, oval belly, gradually contracting under the belly, flat bottom. The glaze is turquoise, the inside and outside of the glaze are split, and there is no glaze from the belly to the bottom of the plain body
The firing technology of celadon was quite mature by the Tang Dynasty, especially the celadon porcelain produced in Yuezhou, Zhejiang Province. Lu Yu of the Tang Dynasty rated Yue Kiln as the first when commenting on porcelain produced in various places in the “Book of Tea”; Emperor Qianlong of the Qing Dynasty also praised the poem “Li Tang Yue Qi has no place in the world”. In addition to the jade – like glaze and the green and green glaze, Yue porcelain also has a variety of shapes. The decoration methods include carving, scribing, printing and stacking. In the early Tang Dynasty, most of the objects were plain and plain, while in the late Tang Dynasty, the number of patterns increased, with a wide range of motifs, such as flowers, animals, character stories and mountains and rivers. Due to the common use of pad burning in the early Tang Dynasty, there are often four or five nail marks at the bottom of the implements
This is a rare masterpiece of Yue porcelain in the early Tang Dynasty. It has a large shape and a standard and dignified shape.