Period:Qing dynasty Production date:1662-1722
Materials:porcelain
Technique:glazed, painted,
Subjects:equestrian
Dimensions:Diameter: 69 millimetres Height: 30 millimetres
Description:
Porcelain wine-cup with spreading sides. The wine-cup has a fine white body. There is a rocky landscape with a man riding on a mule followed by an attendant carrying an umbrella in transparent ‘famille verte’ palette enamel on the exterior.
IMG
![图片[1]-wine-cup BM-PDF.893-China Archive](https://chinaarchive.net/Qin dynasty/Ceramics/mid_00384104_001.jpg)
Comments:Published PDF date : Qing early 18thC Room 95 label text:PDF 893Wine cup with a man riding a donkey landscape sceneEarly Qing enamels fire as thin, translucent watercolour-like colours, dominated by green, black, aubergine, red and yellow pigments. Black (made from manganese and cobalt) and iron-pigmented red were used for outlining as they were more opaque than the other colours. Albert Jacquemart (AD 1808–1875) coined the term famille verte in his Histoire de la céramique published in 1873, to describe this palette dominated by shades of green. Six-character Chenghua mark in a single circle in underglaze blue on the base.Porcelain with underglaze cobalt-blue and overglaze enamels Jingdezhen, Jiangxi province 江西省, 景德鎮Qing dynasty, Kangxi period, AD 1662–1722 PDF 893騎驢人物山水圖酒杯清早期燒成的釉上彩為稀薄的透明水彩狀，以綠、黑、茄皮紫、紅及黃彩為主。由於黑彩（由猛及鈷元素呈色）及含鐵的礬紅彩相比其他顏色更為不透明，因此被用於勾勒輪廓。1873年，艾爾伯特•雅哥馬特（1808-1875年）在其出版的《陶瓷史》（Histoire de la céramique）中首創了陶瓷術語famille verte（“綠色系”），用以描述以綠色調為主的五彩裝飾技法。瓷器，青花，釉上彩江西省景德鎮清代，康熙，1662-1722年
Materials:porcelain
Technique:glazed, painted,
Subjects:equestrian
Dimensions:Diameter: 69 millimetres Height: 30 millimetres
Description:
Porcelain wine-cup with spreading sides. The wine-cup has a fine white body. There is a rocky landscape with a man riding on a mule followed by an attendant carrying an umbrella in transparent ‘famille verte’ palette enamel on the exterior.
IMG
Comments:Published PDF date : Qing early 18thC Room 95 label text:PDF 893Wine cup with a man riding a donkey landscape sceneEarly Qing enamels fire as thin, translucent watercolour-like colours, dominated by green, black, aubergine, red and yellow pigments. Black (made from manganese and cobalt) and iron-pigmented red were used for outlining as they were more opaque than the other colours. Albert Jacquemart (AD 1808–1875) coined the term famille verte in his Histoire de la céramique published in 1873, to describe this palette dominated by shades of green. Six-character Chenghua mark in a single circle in underglaze blue on the base.Porcelain with underglaze cobalt-blue and overglaze enamels Jingdezhen, Jiangxi province 江西省, 景德鎮Qing dynasty, Kangxi period, AD 1662–1722 PDF 893騎驢人物山水圖酒杯清早期燒成的釉上彩為稀薄的透明水彩狀，以綠、黑、茄皮紫、紅及黃彩為主。由於黑彩（由猛及鈷元素呈色）及含鐵的礬紅彩相比其他顏色更為不透明，因此被用於勾勒輪廓。1873年，艾爾伯特•雅哥馬特（1808-1875年）在其出版的《陶瓷史》（Histoire de la céramique）中首創了陶瓷術語famille verte（“綠色系”），用以描述以綠色調為主的五彩裝飾技法。瓷器，青花，釉上彩江西省景德鎮清代，康熙，1662-1722年
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![[Qing Dynasty] British female painter—Elizabeth Keith, using woodblock prints to record China from the late Qing Dynasty to the early Republic of China—1915-China Archive](https://chinaarchive.net/wp-content/uploads/2022/11/image-191x300.png)
