Period:Qing dynasty Production date:1736-1795
Materials:glass
Technique:enamelled
Dimensions:Height: 49 millimetres
Description:
Glass wine-cup with rounded sides and slightly everted mouth-rim. The wine cup is semi-opaque white glass. There are two scroll-edged panels of landscape set in a ground of naturalistic flowers in ‘famille rose’ palette enamel on the exterior. Pair with PDF 851.
IMG
![图片[1]-wine-cup BM-PDF.850-China Archive](https://chinaarchive.net/Qin dynasty/43/mid_00526030_001.jpg)
![图片[2]-wine-cup BM-PDF.850-China Archive](https://chinaarchive.net/Qin dynasty/43/mid_00526029_001.jpg)
![图片[3]-wine-cup BM-PDF.850-China Archive](https://chinaarchive.net/Qin dynasty/43/mid_00525019_001.jpg)
Comments:Published PDF date : Qing Qianlong 1736-95 Room 95 label text:PDF 850Enamelled glass wine cup with landscapeEnamelled glass painted within the same workshops as porcelain in the Forbidden City is much rarer than enamelled porcelain. Chinese glassmaking technology has traditionally been influenced by foreign craftsmen and the palace workshops were supervised by European Jesuits. Although this opaque white glass cup derives its shape from contemporary Qing porcelain made at Jingdezhen, the enamel decoration is informed by European painting styles. The cup has a four-character Qianlong reign mark in blue enamel on the base.Enamelled glassForbidden City, Beijing 北京故宫Qing dynasty, Qianlong blue enamel mark and period, AD 1736–95 PDF 850玻璃畫琺瑯山水圖酒杯在紫禁城內同一作坊製作的玻璃胎畫琺瑯器物，遠比同期製作的瓷胎畫琺瑯器物要稀少得多。中國玻璃器的製作技術傳統上一直受到外國工匠的影響，宮廷內的作坊也由歐洲耶穌會傳教士負責。雖然此件不透明白玻璃杯的器形參考了清朝同時期景德鎮製作的瓷器，但琺瑯彩的繪製卻參考了歐洲的繪畫風格。此杯器底署乾隆四字藍料款。玻璃畫琺瑯北京故宮清代，乾隆，乾隆藍料款，1736-1795年
Materials:glass
Technique:enamelled
Dimensions:Height: 49 millimetres
Description:
Glass wine-cup with rounded sides and slightly everted mouth-rim. The wine cup is semi-opaque white glass. There are two scroll-edged panels of landscape set in a ground of naturalistic flowers in ‘famille rose’ palette enamel on the exterior. Pair with PDF 851.
IMG
Comments:Published PDF date : Qing Qianlong 1736-95 Room 95 label text:PDF 850Enamelled glass wine cup with landscapeEnamelled glass painted within the same workshops as porcelain in the Forbidden City is much rarer than enamelled porcelain. Chinese glassmaking technology has traditionally been influenced by foreign craftsmen and the palace workshops were supervised by European Jesuits. Although this opaque white glass cup derives its shape from contemporary Qing porcelain made at Jingdezhen, the enamel decoration is informed by European painting styles. The cup has a four-character Qianlong reign mark in blue enamel on the base.Enamelled glassForbidden City, Beijing 北京故宫Qing dynasty, Qianlong blue enamel mark and period, AD 1736–95 PDF 850玻璃畫琺瑯山水圖酒杯在紫禁城內同一作坊製作的玻璃胎畫琺瑯器物，遠比同期製作的瓷胎畫琺瑯器物要稀少得多。中國玻璃器的製作技術傳統上一直受到外國工匠的影響，宮廷內的作坊也由歐洲耶穌會傳教士負責。雖然此件不透明白玻璃杯的器形參考了清朝同時期景德鎮製作的瓷器，但琺瑯彩的繪製卻參考了歐洲的繪畫風格。此杯器底署乾隆四字藍料款。玻璃畫琺瑯北京故宮清代，乾隆，乾隆藍料款，1736-1795年
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![[Qing Dynasty] British female painter—Elizabeth Keith, using woodblock prints to record China from the late Qing Dynasty to the early Republic of China—1915-China Archive](https://chinaarchive.net/wp-content/uploads/2022/11/image-191x300.png)
