Period:Qing dynasty Production date:1723-1735
Materials:porcelain
Technique:glazed
Dimensions:Height: 193 millimetres
Description:
Porcelain vase with rounded body curving sharply inward at the shoulder to a narrow neck. The vase has ‘dry’ glaze. There is a raised band around the exterior of the vase, with five more at the base of the neck.
IMG
![图片[1]-vase BM-PDF.445-China Archive](https://chinaarchive.net/Qin dynasty/Ceramics/mid_00366340_001.jpg)
![图片[2]-vase BM-PDF.445-China Archive](https://chinaarchive.net/Qin dynasty/Ceramics/mid_00366344_001.jpg)
Comments:Published PDF date : Qing Yongzheng 1723-1735 Room 95 label text:PDF 445Low-fired white vaseThis porcelain vase has a rounded body curving sharply inward at the shoulder to a narrow neck. Unlike most of the Jingdezhen white wares it is not glossy but has been lower fired to create a ‘dry’ or matt glaze. The base carries a Yongzheng mark. Porcelain with a ‘dry’ glaze Jingdezhen, Jiangxi province 江西省, 景德鎮Qing dynasty, Yongzheng mark and period, AD 1723–1735 PDF 445低溫燒白釉瓶此瓶細長頸，折肩，圓身。與大多數景德鎮燒造的白釉器物不同，此瓶釉面無光，應為燒造溫度較低，呈現出乾澀、亞光的效果。器底有雍正款識。瓷器，干澀釉江西省景德鎮清代，雍正，雍正款，1723-1735年
Materials:porcelain
Technique:glazed
Dimensions:Height: 193 millimetres
Description:
Porcelain vase with rounded body curving sharply inward at the shoulder to a narrow neck. The vase has ‘dry’ glaze. There is a raised band around the exterior of the vase, with five more at the base of the neck.
IMG
Comments:Published PDF date : Qing Yongzheng 1723-1735 Room 95 label text:PDF 445Low-fired white vaseThis porcelain vase has a rounded body curving sharply inward at the shoulder to a narrow neck. Unlike most of the Jingdezhen white wares it is not glossy but has been lower fired to create a ‘dry’ or matt glaze. The base carries a Yongzheng mark. Porcelain with a ‘dry’ glaze Jingdezhen, Jiangxi province 江西省, 景德鎮Qing dynasty, Yongzheng mark and period, AD 1723–1735 PDF 445低溫燒白釉瓶此瓶細長頸，折肩，圓身。與大多數景德鎮燒造的白釉器物不同，此瓶釉面無光，應為燒造溫度較低，呈現出乾澀、亞光的效果。器底有雍正款識。瓷器，干澀釉江西省景德鎮清代，雍正，雍正款，1723-1735年
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![[Qing Dynasty] British female painter—Elizabeth Keith, using woodblock prints to record China from the late Qing Dynasty to the early Republic of China—1915-China Archive](https://chinaarchive.net/wp-content/uploads/2022/11/image-191x300.png)
