Period:Qing dynasty Production date:1700-1790
Materials:stoneware
Technique:glazed
Dimensions:Diameter: 132 millimetres Height: 204 millimetres
Description:
Guan-type stoneware vase with long neck with three raised ‘bow-string’ lines. The vase has a dark body covered in translucent greyish-green glaze with close crackle. There is an incised inscription on the base.
IMG
![图片[1]-vase BM-PDF-A.28-China Archive](https://chinaarchive.net/Qin dynasty/Ceramics/mid_00384572_001.jpg)
![图片[2]-vase BM-PDF-A.28-China Archive](https://chinaarchive.net/Qin dynasty/Ceramics/mid_00384574_001.jpg)
Comments:Published PDF date : Southern Song 12th-13thC Room 95 label text:PDF A28Vase with guan-type celadon glazeThis vase combines an eighteenth century shape with the glaze of Song dynasty guan wares, recreated on a porcelain body. This combination of an interest in the antique and a desire to experiment and create something new is a fundamental part of Chinese culture. The base has an incised and gilded Qianlong inscription dated equivalent to AD 1790 which reads: 古瓶盛酒後贊花, 花酒由來本一家, 李白設如遇潘岳, 各珍其用定争差 乾隆庚戌春御題Guping shengjiu hou zanhua, hua jiu youlai ben yijia, Li Bai sheru yu Pan Yue, ge zhen qi yong ding zheng chaQianlong gengxu chun yuti It has been translated as: ‘The original use for vases was as a container, particularly for wine, but eventually they also held flowers. Whether wine or flowers, either can be put in the same vessel. Imagine what would have happened if Li Bai and Pan Yue had come together. There would have been great dispute as to the correct use of the vase. Composed by the Qianlong emperor in the spring of the gengxu year [AD 1790]. The calligaphy is rather weak and it may be later in date than the characters suggest.Two seals at the end of the inscription 古香(guxiang ‘ancient fragrance’) and 太璞 (taipu ‘supreme simplicity’).Porcelain with crackled celadon glaze and incised and gilded inscriptionGuan-type wareJingdezhen, Jiangxi province江西省, 景德鎮Qing dynasty, AD 1700–1790 or later PDF A28仿官青釉瓶此瓶融合了十八世紀的造型與宋代官窯器物的釉色，並創造性地施用於瓷質胎體之上。這樣將對古物的興趣與心中期望相結合，試驗並創造新品，一直是中國文化的基本內涵。外底刻填金乾隆御製詩（紀年相當於1790年）：“古瓶盛酒後簪花，花酒由來本一家。李白設如遇潘嶽，各珍其用定爭差。乾隆庚戌春御題。”詩句大意是：瓶子本來用作容器，尤其是盛酒，但最終也會用來插花。酒也好花也罷，都可以放在同一個器皿中。想像假使李白遇到了潘岳會怎樣？他們一定會就此瓶的功用激烈爭論。乾隆皇帝作于庚戌年（1790年）春日。銘文筆力羸弱，也許為後刻款。詩尾附“古香”（遠古之芬芳）、“太璞”（極端之樸素）印兩方。瓷器，開片青釉，填金刻銘 仿官窯器江西省景德鎮清代，1700-1900年或更晚
Materials:stoneware
Technique:glazed
Dimensions:Diameter: 132 millimetres Height: 204 millimetres
Description:
Guan-type stoneware vase with long neck with three raised ‘bow-string’ lines. The vase has a dark body covered in translucent greyish-green glaze with close crackle. There is an incised inscription on the base.
IMG
Comments:Published PDF date : Southern Song 12th-13thC Room 95 label text:PDF A28Vase with guan-type celadon glazeThis vase combines an eighteenth century shape with the glaze of Song dynasty guan wares, recreated on a porcelain body. This combination of an interest in the antique and a desire to experiment and create something new is a fundamental part of Chinese culture. The base has an incised and gilded Qianlong inscription dated equivalent to AD 1790 which reads: 古瓶盛酒後贊花, 花酒由來本一家, 李白設如遇潘岳, 各珍其用定争差 乾隆庚戌春御題Guping shengjiu hou zanhua, hua jiu youlai ben yijia, Li Bai sheru yu Pan Yue, ge zhen qi yong ding zheng chaQianlong gengxu chun yuti It has been translated as: ‘The original use for vases was as a container, particularly for wine, but eventually they also held flowers. Whether wine or flowers, either can be put in the same vessel. Imagine what would have happened if Li Bai and Pan Yue had come together. There would have been great dispute as to the correct use of the vase. Composed by the Qianlong emperor in the spring of the gengxu year [AD 1790]. The calligaphy is rather weak and it may be later in date than the characters suggest.Two seals at the end of the inscription 古香(guxiang ‘ancient fragrance’) and 太璞 (taipu ‘supreme simplicity’).Porcelain with crackled celadon glaze and incised and gilded inscriptionGuan-type wareJingdezhen, Jiangxi province江西省, 景德鎮Qing dynasty, AD 1700–1790 or later PDF A28仿官青釉瓶此瓶融合了十八世紀的造型與宋代官窯器物的釉色，並創造性地施用於瓷質胎體之上。這樣將對古物的興趣與心中期望相結合，試驗並創造新品，一直是中國文化的基本內涵。外底刻填金乾隆御製詩（紀年相當於1790年）：“古瓶盛酒後簪花，花酒由來本一家。李白設如遇潘嶽，各珍其用定爭差。乾隆庚戌春御題。”詩句大意是：瓶子本來用作容器，尤其是盛酒，但最終也會用來插花。酒也好花也罷，都可以放在同一個器皿中。想像假使李白遇到了潘岳會怎樣？他們一定會就此瓶的功用激烈爭論。乾隆皇帝作于庚戌年（1790年）春日。銘文筆力羸弱，也許為後刻款。詩尾附“古香”（遠古之芬芳）、“太璞”（極端之樸素）印兩方。瓷器，開片青釉，填金刻銘 仿官窯器江西省景德鎮清代，1700-1900年或更晚
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![[Qing Dynasty] British female painter—Elizabeth Keith, using woodblock prints to record China from the late Qing Dynasty to the early Republic of China—1915-China Archive](https://chinaarchive.net/wp-content/uploads/2022/11/image-191x300.png)
