Period:Qing dynasty Production date:17thC
Materials:porcelain
Technique:glazed
Dimensions:Height: 260 millimetres
Description:
Porcelain garlic-headed vase with depressed globular body. The vase has creamy glaze. There are two raised bands under the garlic head, and a finely modelled relief design of a split tailed dragon holding a leafy branch in its mouth, curled round the neck of the vase.
IMG
![图片[1]-vase BM-PDF.447-China Archive](https://chinaarchive.net/Qin dynasty/Ceramics/mid_00366347_001.jpg)
Comments:Published PDF date : Qing Kangxi Room 95 label text:PDF 447Vase with dragon in reliefDehua wares of the period AD 1600–1911 are typified by figures and vessels with a granular sugary white body and either a blue tinged or creamy white glaze. The pure whiteness of these ceramics is due to the relative absence of iron impurities in the body – indeed the clay used contains only half a percent of ferric oxide. Body and glaze fuse perfectly in the firing. Plain white porcelains from the Dehua kilns in Fujian, south-eastern China are known in the West by the nineteenth-century French connoisseurs’ term Blanc de Chine. Porcelain with transparent glazeDehua ware 德化窯Dehua, Fujian province 德化, 福建省Qing dynasty, about AD 1644–1700 PDF 447白釉貼塑龍紋蒜頭瓶1600年至1911年間的德化器物以器皿和各類塑像為特色，其胎體潔白，質如極細沙，釉色閃青或呈奶油白色。鐵元素的顯著降低使得器物呈色更為白淨，事實上胎土的氧化鐵含量僅有0.5%。此器胎釉完美地熔融結合在一起。中國東南部福建德化窯生產的素白瓷，在西方以十九世紀法國鑒賞家所用的“中國白”一詞而聞名。 瓷器，透明釉德化窯福建省德化清代，約1644-1700年
Materials:porcelain
Technique:glazed
Dimensions:Height: 260 millimetres
Description:
Porcelain garlic-headed vase with depressed globular body. The vase has creamy glaze. There are two raised bands under the garlic head, and a finely modelled relief design of a split tailed dragon holding a leafy branch in its mouth, curled round the neck of the vase.
IMG
Comments:Published PDF date : Qing Kangxi Room 95 label text:PDF 447Vase with dragon in reliefDehua wares of the period AD 1600–1911 are typified by figures and vessels with a granular sugary white body and either a blue tinged or creamy white glaze. The pure whiteness of these ceramics is due to the relative absence of iron impurities in the body – indeed the clay used contains only half a percent of ferric oxide. Body and glaze fuse perfectly in the firing. Plain white porcelains from the Dehua kilns in Fujian, south-eastern China are known in the West by the nineteenth-century French connoisseurs’ term Blanc de Chine. Porcelain with transparent glazeDehua ware 德化窯Dehua, Fujian province 德化, 福建省Qing dynasty, about AD 1644–1700 PDF 447白釉貼塑龍紋蒜頭瓶1600年至1911年間的德化器物以器皿和各類塑像為特色，其胎體潔白，質如極細沙，釉色閃青或呈奶油白色。鐵元素的顯著降低使得器物呈色更為白淨，事實上胎土的氧化鐵含量僅有0.5%。此器胎釉完美地熔融結合在一起。中國東南部福建德化窯生產的素白瓷，在西方以十九世紀法國鑒賞家所用的“中國白”一詞而聞名。 瓷器，透明釉德化窯福建省德化清代，約1644-1700年
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![[Qing Dynasty] British female painter—Elizabeth Keith, using woodblock prints to record China from the late Qing Dynasty to the early Republic of China—1915-China Archive](https://chinaarchive.net/wp-content/uploads/2022/11/image-191x300.png)
