Period:Qing dynasty Production date:1723-1735
Materials:porcelain
Technique:underglazed
Dimensions:Height: 77 millimetres
Description:
Small porcelain snuff-bottle of guan form and domed cover with knop. There are five-clawed dragons against dense flower and leaf ground in underglaze blue, and a similar dense flower and leaf pattern on the cover, with a narrow band of ruyi heads on neck. There is an inscription on the base.
IMG
![图片[1]-snuff-bottle BM-PDF-C.634-China Archive](https://chinaarchive.net/Qin dynasty/Ceramics/mid_00390556_001.jpg)
![图片[2]-snuff-bottle BM-PDF-C.634-China Archive](https://chinaarchive.net/Qin dynasty/Ceramics/mid_00390557_001.jpg)
Comments:Published PDF date : Qing 18thC Room 95 label text:PDF C634Snuff bottle with five-clawed dragonJesuit missionaries residing within the Forbidden City brought with them Western technologies such as enamelling glass and introduced Western habits such as taking snuff (powdered tobacco flavoured with aromatic substances). By the reign of the emperor Kangxi (AD 1662–1722), taking snuff had become an imperial habit. Chinese craftsmen revelled in the production of miniature works of art and the tiny snuff-bottle form provided a means to demonstrate their skills. Porcelain with underglaze cobalt-blue decoration Jingdezhen, Jiangxi province 江西省, 景德鎮Qing dynasty, Yongzheng mark and period (1723–35) PDF C634五爪龍紋鼻煙壺基督傳教士進入紫禁城，不僅帶來了西方的科技，如玻璃胎畫琺瑯，也傳入了西式的習慣，比如嗅鼻煙（即煙草混合芳香物質的粉末）。到到康熙朝（1662-1722年），攜帶鼻煙已成為皇室的習慣。中國工匠著迷于微型藝術品的創作，而鼻煙壺的小器形恰是展示其技藝的好平臺。瓷器，青花江西省景德鎮清代，雍正，雍正款，1723-1735年
Materials:porcelain
Technique:underglazed
Dimensions:Height: 77 millimetres
Description:
Small porcelain snuff-bottle of guan form and domed cover with knop. There are five-clawed dragons against dense flower and leaf ground in underglaze blue, and a similar dense flower and leaf pattern on the cover, with a narrow band of ruyi heads on neck. There is an inscription on the base.
IMG
Comments:Published PDF date : Qing 18thC Room 95 label text:PDF C634Snuff bottle with five-clawed dragonJesuit missionaries residing within the Forbidden City brought with them Western technologies such as enamelling glass and introduced Western habits such as taking snuff (powdered tobacco flavoured with aromatic substances). By the reign of the emperor Kangxi (AD 1662–1722), taking snuff had become an imperial habit. Chinese craftsmen revelled in the production of miniature works of art and the tiny snuff-bottle form provided a means to demonstrate their skills. Porcelain with underglaze cobalt-blue decoration Jingdezhen, Jiangxi province 江西省, 景德鎮Qing dynasty, Yongzheng mark and period (1723–35) PDF C634五爪龍紋鼻煙壺基督傳教士進入紫禁城，不僅帶來了西方的科技，如玻璃胎畫琺瑯，也傳入了西式的習慣，比如嗅鼻煙（即煙草混合芳香物質的粉末）。到到康熙朝（1662-1722年），攜帶鼻煙已成為皇室的習慣。中國工匠著迷于微型藝術品的創作，而鼻煙壺的小器形恰是展示其技藝的好平臺。瓷器，青花江西省景德鎮清代，雍正，雍正款，1723-1735年
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![[Qing Dynasty] British female painter—Elizabeth Keith, using woodblock prints to record China from the late Qing Dynasty to the early Republic of China—1915-China Archive](https://chinaarchive.net/wp-content/uploads/2022/11/image-191x300.png)
