Period:Unknown
Materials:paper
Technique:woodcut
Subjects:domestic building landscape tree/bush
Dimensions:Height: 55.80 centimetres (Height of mount) Height: 22.70 centimetres (Height of original paper) Width: 40.70 centimetres (Width of mount) Width: 28 centimetres (Width of original paper)
Description:
Woodcut. Landscape. With river, house and trees. Printed in ink on paper.
IMG
![图片[1]-print BM-1928-0301-0.14-China Archive](https://chinaarchive.net/Unknown/43/mid_00098129_001.jpg)
Comments:The Mustard Seed Garden Painting Manual, named after an estate in Nanjing, was published in 1679 by its compiler Wang Gai. This print was taken from a later edition of part 1, which introduces landscape compositions after famous masters. It was printed using two or three printing blocks with varying tones of black ink. The landscape in the shape of a round fan names the famous Ni Zan (1301–74) as its source of inspiration.
Materials:paper
Technique:woodcut
Subjects:domestic building landscape tree/bush
Dimensions:Height: 55.80 centimetres (Height of mount) Height: 22.70 centimetres (Height of original paper) Width: 40.70 centimetres (Width of mount) Width: 28 centimetres (Width of original paper)
Description:
Woodcut. Landscape. With river, house and trees. Printed in ink on paper.
IMG
![图片[1]-print BM-1928-0301-0.14-China Archive](https://chinaarchive.net/Unknown/43/mid_00098129_001.jpg)
Comments:The Mustard Seed Garden Painting Manual, named after an estate in Nanjing, was published in 1679 by its compiler Wang Gai. This print was taken from a later edition of part 1, which introduces landscape compositions after famous masters. It was printed using two or three printing blocks with varying tones of black ink. The landscape in the shape of a round fan names the famous Ni Zan (1301–74) as its source of inspiration.
© Copyright
The copyright of the article belongs to the author, please keep the original link for reprinting.
THE END