Period:Unknown Production date:1633 – 1703 (circa)
Materials:paper
Technique:woodblock
Subjects:blossom
Dimensions:Height: 55.90 centimetres (Height of mount- Royal) Height: 25.20 centimetres (Height of original paper) Height: 35.20 centimetres (Modern paper to which work is hinged) Width: 37.10 centimetres (Modern paper to which work is hinged) Width: 40.70 centimetres (Width of mount- Royal) Width: 27.10 centimetres (Width of original paper)
Description:
Woodblock print. Apple blossom. Printed in colour on paper.
IMG
![图片[1]-print BM-1930-1015-0.7-China Archive](https://chinaarchive.net/Unknown/43/mid_00091887_001.jpg)
![图片[2]-print BM-1930-1015-0.7-China Archive](https://chinaarchive.net/Unknown/43/mid_00280447_001.jpg)
Comments:This album leaf is from the Ten Bamboo Studio Collection of Calligraphy and Painting, one of the earliest picture collections in China to be printed in colour, and the first that successfully imitated the art of the brush. The manual is named after the Ten Bamboo Studio in Nanjing, the residence of the scholar Hu Zhengyan (1584–1674). Hu compiled calligraphy and paintings of past and contemporary scholar-artists and entrusted a team of skilled artisans with the carving and printing of these images in eight volumes. The page is among a group of prints in the British Museum that are considered to be among the earliest and finest imprints of existing versions from the original blocks.
Materials:paper
Technique:woodblock
Subjects:blossom
Dimensions:Height: 55.90 centimetres (Height of mount- Royal) Height: 25.20 centimetres (Height of original paper) Height: 35.20 centimetres (Modern paper to which work is hinged) Width: 37.10 centimetres (Modern paper to which work is hinged) Width: 40.70 centimetres (Width of mount- Royal) Width: 27.10 centimetres (Width of original paper)
Description:
Woodblock print. Apple blossom. Printed in colour on paper.
IMG
Comments:This album leaf is from the Ten Bamboo Studio Collection of Calligraphy and Painting, one of the earliest picture collections in China to be printed in colour, and the first that successfully imitated the art of the brush. The manual is named after the Ten Bamboo Studio in Nanjing, the residence of the scholar Hu Zhengyan (1584–1674). Hu compiled calligraphy and paintings of past and contemporary scholar-artists and entrusted a team of skilled artisans with the carving and printing of these images in eight volumes. The page is among a group of prints in the British Museum that are considered to be among the earliest and finest imprints of existing versions from the original blocks.
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