Period:Qing dynasty Production date:1662-1722
Materials:porcelain
Technique:underglazed
Dimensions:Height: 125 millimetres
Description:
Porcelain jar with globular body and wide neck. The jar has glassy crackled copper red glaze, fading to greyish white at the rim, and a greyish-green glazed base with slight pink shading.
IMG
![图片[1]-jar BM-PDF.576-China Archive](https://chinaarchive.net/Qin dynasty/Ceramics/mid_00379811_001.jpg)
![图片[2]-jar BM-PDF.576-China Archive](https://chinaarchive.net/Qin dynasty/Ceramics/mid_00379796_001.jpg)
Comments:Published PDF date : Qing Kangxi 1662-1722 Room 95 label text:PDF 576 Jar with copper-red glazeThe skills used to create these extraordinary red glazes were lost in China from the mid-fifteenth century until they were rediscovered in the late seventeenth and early eighteenth centuries. The glaze has ‘crept’ at the rim of the dish to reveal the pure whiteness of the porcelain body. Porcelain with copper-red glazeJingdezhen, Jiangxi province 江西省, 景德鎮Qing dynasty, Kangxi period, AD 1662–1722 PDF 576銅紅釉罐燒制此種非凡紅釉的技藝於十五世紀中期在中國失傳，直至十七世紀晚期到十八世紀早期才得以恢復。此罐口部縮釉“脫口”，露出潔白的瓷質胎體。瓷器，銅紅釉江西省景德鎮清代，康熙， 1662-1722年
Materials:porcelain
Technique:underglazed
Dimensions:Height: 125 millimetres
Description:
Porcelain jar with globular body and wide neck. The jar has glassy crackled copper red glaze, fading to greyish white at the rim, and a greyish-green glazed base with slight pink shading.
IMG
Comments:Published PDF date : Qing Kangxi 1662-1722 Room 95 label text:PDF 576 Jar with copper-red glazeThe skills used to create these extraordinary red glazes were lost in China from the mid-fifteenth century until they were rediscovered in the late seventeenth and early eighteenth centuries. The glaze has ‘crept’ at the rim of the dish to reveal the pure whiteness of the porcelain body. Porcelain with copper-red glazeJingdezhen, Jiangxi province 江西省, 景德鎮Qing dynasty, Kangxi period, AD 1662–1722 PDF 576銅紅釉罐燒制此種非凡紅釉的技藝於十五世紀中期在中國失傳，直至十七世紀晚期到十八世紀早期才得以恢復。此罐口部縮釉“脫口”，露出潔白的瓷質胎體。瓷器，銅紅釉江西省景德鎮清代，康熙， 1662-1722年
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![[Qing Dynasty] British female painter—Elizabeth Keith, using woodblock prints to record China from the late Qing Dynasty to the early Republic of China—1915-China Archive](https://chinaarchive.net/wp-content/uploads/2022/11/image-191x300.png)
