Period:Qing dynasty Production date:18thC-19thC
Materials:porcelain
Technique:glazed
Dimensions:Height: 77 millimetres Width: 122 millimetres Depth: 95 millimetres
Description:
Dehua porcelain incense burner in form of archaic bronze ding with three thick legs and relief-modelled elephant handles. The incense burner has a white body and cream coloured glaze. There is a mark on the base.
IMG
![图片[1]-incense-burner BM-PDF-A.493-China Archive](https://chinaarchive.net/Qin dynasty/Ceramics/mid_00386088_001.jpg)
![图片[2]-incense-burner BM-PDF-A.493-China Archive](https://chinaarchive.net/Qin dynasty/Ceramics/mid_00386090_001.jpg)
Comments:Published PDF date : Qing 18thC Room 95 label text:PDF A493Three-legged incense burner Dehua wares of the period AD 1600–1911 are typified by figures and vessels with a granular sugary white body and either a blue tinged or creamy white glaze. The pure whiteness of these ceramics is due to the relative absence of iron impurities in the body – indeed the clay used contains only half a percent of ferric oxide. Body and glaze fuse perfectly in the firing. Plain white porcelains from the Dehua kilns in Fujian, south-eastern China are known in the West by the 19th-century French connoisseurs’ term Blanc de Chine. This incense burner has elephant head handles.Porcelain with transparent glazeDehua ware 德化窯Dehua, Fujian province 德化, 福建省Qing, about AD 1700–1900 PDF A493三足香爐1600–1911年間的德化窰瓷器，以塑像和器皿為特色，胎體潔白有粉沙感，釉色閃青或呈乳白色。瓷胎中的鐵雜質極少，使得器物呈色白淨，事實上德化窯所使用胎土中的氧化鐵含量僅有0.5%。胎釉在窯火中完美地熔融結合在一起。中國東南部福建德化窯生產的素白瓷，以十九世紀法國鑒賞家所用的“中國白”一詞而聞名西方。此香爐飾象首形耳。瓷器，透明釉德化窯福建省德化清代，約1700-1900年
Materials:porcelain
Technique:glazed
Dimensions:Height: 77 millimetres Width: 122 millimetres Depth: 95 millimetres
Description:
Dehua porcelain incense burner in form of archaic bronze ding with three thick legs and relief-modelled elephant handles. The incense burner has a white body and cream coloured glaze. There is a mark on the base.
IMG
Comments:Published PDF date : Qing 18thC Room 95 label text:PDF A493Three-legged incense burner Dehua wares of the period AD 1600–1911 are typified by figures and vessels with a granular sugary white body and either a blue tinged or creamy white glaze. The pure whiteness of these ceramics is due to the relative absence of iron impurities in the body – indeed the clay used contains only half a percent of ferric oxide. Body and glaze fuse perfectly in the firing. Plain white porcelains from the Dehua kilns in Fujian, south-eastern China are known in the West by the 19th-century French connoisseurs’ term Blanc de Chine. This incense burner has elephant head handles.Porcelain with transparent glazeDehua ware 德化窯Dehua, Fujian province 德化, 福建省Qing, about AD 1700–1900 PDF A493三足香爐1600–1911年間的德化窰瓷器，以塑像和器皿為特色，胎體潔白有粉沙感，釉色閃青或呈乳白色。瓷胎中的鐵雜質極少，使得器物呈色白淨，事實上德化窯所使用胎土中的氧化鐵含量僅有0.5%。胎釉在窯火中完美地熔融結合在一起。中國東南部福建德化窯生產的素白瓷，以十九世紀法國鑒賞家所用的“中國白”一詞而聞名西方。此香爐飾象首形耳。瓷器，透明釉德化窯福建省德化清代，約1700-1900年
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