Period:Qing dynasty Production date:1644-1700
Materials:porcelain
Technique:moulded, glazed,
Dimensions:Height: 130 millimetres Width: 173 millimetres
Description:
Dehua porcelain octagonal covered incense burner with matching stand. The incense burner has a white body. There is a floral design moulded on the cover, openwork on the cover, and three horizontal panels (leaf and flower scroll; flower medallion; flower inside diamond) moulded around the body.
IMG
![图片[1]-incense-burner BM-PDF-A.474-China Archive](https://chinaarchive.net/Qin dynasty/Ceramics/mid_00385964_001.jpg)
![图片[2]-incense-burner BM-PDF-A.474-China Archive](https://chinaarchive.net/Qin dynasty/Ceramics/mid_00385967_001.jpg)
Comments:Room 95 label text:PDF A474Incense burner with flower decoration Dehua wares of the period AD 1600–1911 are typified by figures and vessels with a granular sugary white body and either a blue tinged or creamy white glaze. The pure whiteness of these ceramics is due to the relative absence of iron impurities in the body – indeed the clay used contains only half a percent of ferric oxide. Plain white porcelains from the Dehua kilns in Fujian, south-eastern China are known in the West by the nineteenth-century French connoisseurs’ term Blanc de Chine. Porcelain with moulded decoration and transparent glazeDehua ware 德化窯Dehua, Fujian province 德化, 福建省Qing dynasty, about AD 1644–1700 PDF A474花卉纹香爐1600–1911年間的德化窰瓷器，以塑像和器皿為特色，胎體潔白有粉沙感，釉色閃青或呈乳白色。瓷胎中的鐵雜質極少，使得器物呈色白淨，事實上德化窯所使用胎土中的氧化鐵含量僅有0.5%。中國東南部福建德化窯生產的素白瓷，以十九世紀法國鑒賞家所用的“中國白”一詞而聞名西方。瓷器，模印花，透明釉德化窯福建省德化清代，約1644-1700年
Materials:porcelain
Technique:moulded, glazed,
Dimensions:Height: 130 millimetres Width: 173 millimetres
Description:
Dehua porcelain octagonal covered incense burner with matching stand. The incense burner has a white body. There is a floral design moulded on the cover, openwork on the cover, and three horizontal panels (leaf and flower scroll; flower medallion; flower inside diamond) moulded around the body.
IMG
Comments:Room 95 label text:PDF A474Incense burner with flower decoration Dehua wares of the period AD 1600–1911 are typified by figures and vessels with a granular sugary white body and either a blue tinged or creamy white glaze. The pure whiteness of these ceramics is due to the relative absence of iron impurities in the body – indeed the clay used contains only half a percent of ferric oxide. Plain white porcelains from the Dehua kilns in Fujian, south-eastern China are known in the West by the nineteenth-century French connoisseurs’ term Blanc de Chine. Porcelain with moulded decoration and transparent glazeDehua ware 德化窯Dehua, Fujian province 德化, 福建省Qing dynasty, about AD 1644–1700 PDF A474花卉纹香爐1600–1911年間的德化窰瓷器，以塑像和器皿為特色，胎體潔白有粉沙感，釉色閃青或呈乳白色。瓷胎中的鐵雜質極少，使得器物呈色白淨，事實上德化窯所使用胎土中的氧化鐵含量僅有0.5%。中國東南部福建德化窯生產的素白瓷，以十九世紀法國鑒賞家所用的“中國白”一詞而聞名西方。瓷器，模印花，透明釉德化窯福建省德化清代，約1644-1700年
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![[Qing Dynasty] British female painter—Elizabeth Keith, using woodblock prints to record China from the late Qing Dynasty to the early Republic of China—1915-China Archive](https://chinaarchive.net/wp-content/uploads/2022/11/image-191x300.png)
