Period:Qing dynasty Production date:1723-1735
Materials:porcelain
Technique:glazed
Dimensions:Diameter: 57 millimetres (mouth) Diameter: 87 millimetres Height: 73 millimetres
Description:
Porcelain flower holder, with three circular perforations at mouth opening for holding flower stems. Covered all over with pale grey-green celadon-type glaze. There is an inscription on the base.
IMG
![图片[1]-flower-holder BM-PDF-B.578-China Archive](https://chinaarchive.net/Qin dynasty/Ceramics/mid_00388936_001.jpg)
![图片[2]-flower-holder BM-PDF-B.578-China Archive](https://chinaarchive.net/Qin dynasty/Ceramics/mid_00388937_001.jpg)
![图片[3]-flower-holder BM-PDF-B.578-China Archive](https://chinaarchive.net/Qin dynasty/Ceramics/mid_00388938_001.jpg)
Comments:Published PDF date : Qing Yongzheng 1723-1735 Room 95 label text:PDF B578 Flower holder with celadon glazeThis squat vessel is fashioned with three holes in the top for holding the stems of plants or for feathers. Although the iron-pigmented, high-fired glaze echoes celadons of the Song period (AD 960–1279), the form of the vessel is new. Despite ruling for only twelve years, the Yongzheng era is arguably the most creative period of Qing ceramic production at Jingdezhen. Porcelain with underglaze cobalt-blue mark and crackled celadon glazeJingdezhen, Jiangxi province江西省, 景德鎮Qing dynasty, Yongzheng seal mark and period, AD1723–35 PDF B578 青釉花插這件瓷器低矮穩重，頂部開三孔用來插植物的莖干或羽毛。盡管這樣以鐵呈色的高溫釉類似宋代的青釉，器物的形狀卻是創新。雍正皇帝雖然在位只有十二年，卻可說是景德鎮清代瓷器生產最具創新性的時期。瓷器，青花款，開片青釉江西省景德鎮清代，雍正，雍正篆書款，1723–1735年
Materials:porcelain
Technique:glazed
Dimensions:Diameter: 57 millimetres (mouth) Diameter: 87 millimetres Height: 73 millimetres
Description:
Porcelain flower holder, with three circular perforations at mouth opening for holding flower stems. Covered all over with pale grey-green celadon-type glaze. There is an inscription on the base.
IMG
Comments:Published PDF date : Qing Yongzheng 1723-1735 Room 95 label text:PDF B578 Flower holder with celadon glazeThis squat vessel is fashioned with three holes in the top for holding the stems of plants or for feathers. Although the iron-pigmented, high-fired glaze echoes celadons of the Song period (AD 960–1279), the form of the vessel is new. Despite ruling for only twelve years, the Yongzheng era is arguably the most creative period of Qing ceramic production at Jingdezhen. Porcelain with underglaze cobalt-blue mark and crackled celadon glazeJingdezhen, Jiangxi province江西省, 景德鎮Qing dynasty, Yongzheng seal mark and period, AD1723–35 PDF B578 青釉花插這件瓷器低矮穩重，頂部開三孔用來插植物的莖干或羽毛。盡管這樣以鐵呈色的高溫釉類似宋代的青釉，器物的形狀卻是創新。雍正皇帝雖然在位只有十二年，卻可說是景德鎮清代瓷器生產最具創新性的時期。瓷器，青花款，開片青釉江西省景德鎮清代，雍正，雍正篆書款，1723–1735年
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![[Qing Dynasty] British female painter—Elizabeth Keith, using woodblock prints to record China from the late Qing Dynasty to the early Republic of China—1915-China Archive](https://chinaarchive.net/wp-content/uploads/2022/11/image-191x300.png)
