Period:Qing dynasty Production date:1644-1911
Materials:paper
Technique:painted
Subjects:landscape
Dimensions:Height: 16.70 centimetres (From Suzuki 1982) Width: 48.50 centimetres (From Suzuki 1982)
Description:
Fan. Landscape. Inscription. Ink and colour on paper.
IMG
![图片[1]-fan; painting BM-1951-0407-0.8-China Archive](https://chinaarchive.net/Qin dynasty/Paintings/mid_00244288_001.jpg)
![图片[2]-fan; painting BM-1951-0407-0.8-China Archive](https://chinaarchive.net/Qin dynasty/Paintings/mid_RFC1569.jpg)
Comments:Gao Fenghan was one of a group of painters knows as the Eight Eccentrics of Yangzhou. He lived in a Buddhist monastery in Yangzhou and made a living from his paintings. His early paintings show careful brushwork. Later his right arm became paralysed by arthritis, and he started to paint with his left hand in a much sketchier style.
Materials:paper
Technique:painted
Subjects:landscape
Dimensions:Height: 16.70 centimetres (From Suzuki 1982) Width: 48.50 centimetres (From Suzuki 1982)
Description:
Fan. Landscape. Inscription. Ink and colour on paper.
IMG
Comments:Gao Fenghan was one of a group of painters knows as the Eight Eccentrics of Yangzhou. He lived in a Buddhist monastery in Yangzhou and made a living from his paintings. His early paintings show careful brushwork. Later his right arm became paralysed by arthritis, and he started to paint with his left hand in a much sketchier style.
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![[Qing Dynasty] British female painter—Elizabeth Keith, using woodblock prints to record China from the late Qing Dynasty to the early Republic of China—1915-China Archive](https://chinaarchive.net/wp-content/uploads/2022/11/image-191x300.png)
