Period:Ming dynasty Production date:1522-1600
Materials:porcelain, gold, wood,
Technique:underglazed, kinrande,
Dimensions:Height: 318 millimetres
Description:
Porcelain wine ewer in the form of a dancing girl, with raised right arm forming a spout, lowered left arm forming a handle, and wooden lid imitating a hair knot. There is decoration in overglaze red, turquoise and green enamels with traces of kinrande gilding, and some details in underglaze blue. There is an inscription on the base.
IMG
![图片[1]-ewer BM-PDF.704-China Archive](https://chinaarchive.net/Ming dynasty/Ceramics/mid_00382424_001.jpg)
![图片[2]-ewer BM-PDF.704-China Archive](https://chinaarchive.net/Ming dynasty/Ceramics/mid_00382425_001.jpg)
Comments:Published PDF date : Ming 16th century Room 95 label text:PDF 704Wine ewer in the form of a woman with kinrande decorationThis polychrome ewer is decorated with areas of overglaze iron-red enamel over which potters have placed cut out gold foil which they then incised and fired at a low temperature. This decorative technique is known by the Japanese term 金襴手 (kinrande ‘gold brocade style’). The gold wears away from the porcelain which is why so much of the detail is missing from this wine ewer.Porcelain with overglaze red, turquoise and green enamels, and gilding (replacement lid)Jingdezhen, Jiangxi province 江西省, 景德鎮Ming dynasty, Jiajing to Wanli reign, about AD1522–1600 PDF 704“金襴手”女人形酒壺此多彩酒壺局部飾釉上礬紅彩，上施金彩低溫燒成。這種裝飾技法在日本被稱為“金襴手”（意為金絲錦風格）。酒壺表面的金彩易磨損，因此紋飾多有脫落。瓷器，釉上紅、孔雀藍及綠彩，金彩（蓋後配）江西省景德鎮明代，嘉靖至萬曆，約1522-1600年 A similar ewer with the mark fu gui jia qi is in the Museum of Oriental Ceramics, Osaka, Japan. Its box is inscribed Hoei 6 (1709) (Gift of SUMITOMO Group, the ATAKA Collection acc. No. 10519), h.33.1cm
Materials:porcelain, gold, wood,
Technique:underglazed, kinrande,
Dimensions:Height: 318 millimetres
Description:
Porcelain wine ewer in the form of a dancing girl, with raised right arm forming a spout, lowered left arm forming a handle, and wooden lid imitating a hair knot. There is decoration in overglaze red, turquoise and green enamels with traces of kinrande gilding, and some details in underglaze blue. There is an inscription on the base.
IMG
Comments:Published PDF date : Ming 16th century Room 95 label text:PDF 704Wine ewer in the form of a woman with kinrande decorationThis polychrome ewer is decorated with areas of overglaze iron-red enamel over which potters have placed cut out gold foil which they then incised and fired at a low temperature. This decorative technique is known by the Japanese term 金襴手 (kinrande ‘gold brocade style’). The gold wears away from the porcelain which is why so much of the detail is missing from this wine ewer.Porcelain with overglaze red, turquoise and green enamels, and gilding (replacement lid)Jingdezhen, Jiangxi province 江西省, 景德鎮Ming dynasty, Jiajing to Wanli reign, about AD1522–1600 PDF 704“金襴手”女人形酒壺此多彩酒壺局部飾釉上礬紅彩，上施金彩低溫燒成。這種裝飾技法在日本被稱為“金襴手”（意為金絲錦風格）。酒壺表面的金彩易磨損，因此紋飾多有脫落。瓷器，釉上紅、孔雀藍及綠彩，金彩（蓋後配）江西省景德鎮明代，嘉靖至萬曆，約1522-1600年 A similar ewer with the mark fu gui jia qi is in the Museum of Oriental Ceramics, Osaka, Japan. Its box is inscribed Hoei 6 (1709) (Gift of SUMITOMO Group, the ATAKA Collection acc. No. 10519), h.33.1cm
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