Period:Qing dynasty Production date:1862-1874
Materials:porcelain
Technique:incised, glazed, painted,
Dimensions:Diameter: 132 millimetres Height: 26 millimetres
Description:
Porcelain dish. Incised inside with a pair of dragons, one painted in green and the other in aubergine purple against a deep yellow ground directly on the biscuit. Fruiting vine painted around the exterior.
IMG
![图片[1]-dish BM-PDF-B.710-China Archive](https://chinaarchive.net/Qin dynasty/Ceramics/mid_00390050_001.jpg)
Comments:Published PDF date : Qing Tongzhi 1862-1874 Room 95 label text:PDF B710Dish with dragons chasing flaming pearlsIn contrast to Europe, in China dragons are traditionally considered to be auspicious. They are regarded as the controllers of the water supply and ultimately came to symbolise imperial authority. The base has a six-character brown Tongzhi reign markPorcelain with incised decoration and on-the-biscuit yellow, aubergine, brown and green Jingdezhen, Jiangxi province 江西省, 景德鎮Qing dynasty, Tongzhi mark and period, AD 1862–1874 PDF B710龍戲珠紋盤與歐洲相反，龍在中國傳統上被視為祥瑞。其被認為是掌控行雨者，最終演變成皇家權威的象徵。外底署褐彩六字同治年款。瓷器，劃花，素燒胎，黃、茄紫、褐及綠彩江西省景德鎮清代，同治，同治款，1862–1874年
Materials:porcelain
Technique:incised, glazed, painted,
Dimensions:Diameter: 132 millimetres Height: 26 millimetres
Description:
Porcelain dish. Incised inside with a pair of dragons, one painted in green and the other in aubergine purple against a deep yellow ground directly on the biscuit. Fruiting vine painted around the exterior.
IMG
Comments:Published PDF date : Qing Tongzhi 1862-1874 Room 95 label text:PDF B710Dish with dragons chasing flaming pearlsIn contrast to Europe, in China dragons are traditionally considered to be auspicious. They are regarded as the controllers of the water supply and ultimately came to symbolise imperial authority. The base has a six-character brown Tongzhi reign markPorcelain with incised decoration and on-the-biscuit yellow, aubergine, brown and green Jingdezhen, Jiangxi province 江西省, 景德鎮Qing dynasty, Tongzhi mark and period, AD 1862–1874 PDF B710龍戲珠紋盤與歐洲相反，龍在中國傳統上被視為祥瑞。其被認為是掌控行雨者，最終演變成皇家權威的象徵。外底署褐彩六字同治年款。瓷器，劃花，素燒胎，黃、茄紫、褐及綠彩江西省景德鎮清代，同治，同治款，1862–1874年
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![[Qing Dynasty] British female painter—Elizabeth Keith, using woodblock prints to record China from the late Qing Dynasty to the early Republic of China—1915-China Archive](https://chinaarchive.net/wp-content/uploads/2022/11/image-191x300.png)
