Period:Qing dynasty Production date:18thC
Materials:porcelain
Technique:glazed, painted,
Dimensions:Diameter: 195 millimetres Height: 40 millimetres
Description:
Porcelain saucer-shaped dish. Fine white eggshell porcelain decorated in slip in the centre with two five-clawed dragons in profile with the flaming pearl, and around the sides with two similar dragons. It has an inscription on the base.
IMG
![图片[1]-dish BM-PDF-A.815-China Archive](https://chinaarchive.net/Qin dynasty/Ceramics/mid_00388078_001.jpg)
![图片[2]-dish BM-PDF-A.815-China Archive](https://chinaarchive.net/Qin dynasty/Ceramics/mid_00388082_001.jpg)
Comments:Published PDF date : Body Ming 15th-16th century redecorated in the late 18th-early 19thC Room 95 label text:PDF A815Dish painted with a scholarThis dish is decorated with two anhua dragons in slip inside in the cavetto and two in the centre. It is painted in translucent overglaze enamels with a scholar, seated beneath a blossoming prunus tree, watching petals fall to the ground. The title of this scene is given on the back of the dish as 惜春圖 (Xichun tu ‘picture of cherishing Spring’), preceded by a dedication 務齋 雅玩 (Wuzhai yawan ‘for the amusement of Wuzhai’). Wuzhai (Studio of Endeavour) was the studio name of Li Shimin. The iron-red seal reads惜花 居士 (Xihua jushi ‘the scholar who cherishes flowers’). The decoration is after the work of Jin Nong (AD 1687–1763), native of Renhe, one of the Eight Eccentrics of Yangzhou. Porcelain with slip decoration and overglaze enamelsJingdezhen, Jiangxi province 江西省, 景德鎮Qing dynasty, AD 1700–1760 PDF A815文士圖盤這件瓷盤胎體上用泥漿（泥釉）在內壁和中心分別描繪暗花雙龍紋。盤內用透明釉上彩料繪一文人坐於開花梅樹下，看花瓣落地。瓷盤外底寫有這一圖景的名稱“惜春圖”，圖名前為題贈對象“務齋雅玩”，務齋（勤勉之齋）是李姓人士的齋名。鐵紅（礬紅）彩印章為“惜花居士”。這一圖案源自金農（(1687–1763)）的作品，金農為揚州八怪之一，仁和（杭州）人。瓷器，泥繪，釉上彩江西省景德鎮清代，1700–1760年
Materials:porcelain
Technique:glazed, painted,
Dimensions:Diameter: 195 millimetres Height: 40 millimetres
Description:
Porcelain saucer-shaped dish. Fine white eggshell porcelain decorated in slip in the centre with two five-clawed dragons in profile with the flaming pearl, and around the sides with two similar dragons. It has an inscription on the base.
IMG
Comments:Published PDF date : Body Ming 15th-16th century redecorated in the late 18th-early 19thC Room 95 label text:PDF A815Dish painted with a scholarThis dish is decorated with two anhua dragons in slip inside in the cavetto and two in the centre. It is painted in translucent overglaze enamels with a scholar, seated beneath a blossoming prunus tree, watching petals fall to the ground. The title of this scene is given on the back of the dish as 惜春圖 (Xichun tu ‘picture of cherishing Spring’), preceded by a dedication 務齋 雅玩 (Wuzhai yawan ‘for the amusement of Wuzhai’). Wuzhai (Studio of Endeavour) was the studio name of Li Shimin. The iron-red seal reads惜花 居士 (Xihua jushi ‘the scholar who cherishes flowers’). The decoration is after the work of Jin Nong (AD 1687–1763), native of Renhe, one of the Eight Eccentrics of Yangzhou. Porcelain with slip decoration and overglaze enamelsJingdezhen, Jiangxi province 江西省, 景德鎮Qing dynasty, AD 1700–1760 PDF A815文士圖盤這件瓷盤胎體上用泥漿（泥釉）在內壁和中心分別描繪暗花雙龍紋。盤內用透明釉上彩料繪一文人坐於開花梅樹下，看花瓣落地。瓷盤外底寫有這一圖景的名稱“惜春圖”，圖名前為題贈對象“務齋雅玩”，務齋（勤勉之齋）是李姓人士的齋名。鐵紅（礬紅）彩印章為“惜花居士”。這一圖案源自金農（(1687–1763)）的作品，金農為揚州八怪之一，仁和（杭州）人。瓷器，泥繪，釉上彩江西省景德鎮清代，1700–1760年
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![[Qing Dynasty] British female painter—Elizabeth Keith, using woodblock prints to record China from the late Qing Dynasty to the early Republic of China—1915-China Archive](https://chinaarchive.net/wp-content/uploads/2022/11/image-191x300.png)
