Period:Qing dynasty Production date:17thC-18thC
Materials:porcelain
Technique:underglazed
Dimensions:Diameter: 208 millimetres Height: 48 millimetres
Description:
Porcelain dish. The dish has copper red galze with pale mottling on the front. There is a man and boy by trees and a rock in ‘famille verte’ palette enamels in the centre. There is an inscription on the base, which is glazed.
IMG
![图片[1]-dish BM-PDF-A.510-China Archive](https://chinaarchive.net/Qin dynasty/Ceramics/mid_00386751_001.jpg)
![图片[2]-dish BM-PDF-A.510-China Archive](https://chinaarchive.net/Qin dynasty/Ceramics/mid_00386752_001.jpg)
![图片[3]-dish BM-PDF-A.510-China Archive](https://chinaarchive.net/Qin dynasty/Ceramics/mid_00386755_001.jpg)
Comments:Published PDF date : Qing 17th century Room 95 label text:PDF A510Dish with copper red glaze and enamelsHigh-fired, copper-red glazes were perfected at Jingdezhen in the early fifteenth century, during the Yongle and Xuande reigns. Potters made almost no copies of these glazes for the next five hundred years until they were re-discovered in the Kangxi reign (AD 1662–1722). In the centre is an enamel design depicting a man and boy by trees and a rock. There is an apocryphal six-character Xuande reign mark in underglaze blue on the base.Porcelain with underglaze cobalt-blue, copper red glaze and overglaze enamelsJingdezhen, Jiangxi province 江西省, 景德鎮Qing dynasty, about AD 1662–1800 PDF A510銅紅釉加彩繪盤十五世紀早期，即永樂宣德時期，高溫銅紅釉的燒製技術臻於純熟。此後的五百年間，陶工們幾乎未能燒造出相似的釉色，直至康熙時期（1662-1722年）再度複燒。盤心彩繪林間岩石邊的一男子及男童。外底署青花六字宣德寄託年款。瓷器，青花款，銅紅釉，釉上彩江西省景德鎮
Materials:porcelain
Technique:underglazed
Dimensions:Diameter: 208 millimetres Height: 48 millimetres
Description:
Porcelain dish. The dish has copper red galze with pale mottling on the front. There is a man and boy by trees and a rock in ‘famille verte’ palette enamels in the centre. There is an inscription on the base, which is glazed.
IMG
Comments:Published PDF date : Qing 17th century Room 95 label text:PDF A510Dish with copper red glaze and enamelsHigh-fired, copper-red glazes were perfected at Jingdezhen in the early fifteenth century, during the Yongle and Xuande reigns. Potters made almost no copies of these glazes for the next five hundred years until they were re-discovered in the Kangxi reign (AD 1662–1722). In the centre is an enamel design depicting a man and boy by trees and a rock. There is an apocryphal six-character Xuande reign mark in underglaze blue on the base.Porcelain with underglaze cobalt-blue, copper red glaze and overglaze enamelsJingdezhen, Jiangxi province 江西省, 景德鎮Qing dynasty, about AD 1662–1800 PDF A510銅紅釉加彩繪盤十五世紀早期，即永樂宣德時期，高溫銅紅釉的燒製技術臻於純熟。此後的五百年間，陶工們幾乎未能燒造出相似的釉色，直至康熙時期（1662-1722年）再度複燒。盤心彩繪林間岩石邊的一男子及男童。外底署青花六字宣德寄託年款。瓷器，青花款，銅紅釉，釉上彩江西省景德鎮
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![[Qing Dynasty] British female painter—Elizabeth Keith, using woodblock prints to record China from the late Qing Dynasty to the early Republic of China—1915-China Archive](https://chinaarchive.net/wp-content/uploads/2022/11/image-191x300.png)
