Period:Qing dynasty Production date:1662-1722
Materials:porcelain
Technique:glazed, painted,
Dimensions:Diameter: 172 millimetres Height: 22 millimetres
Description:
Porcelain dish with flattened rim. The dish has a fine white body. There are two female figures, one a daoist fairy holding a ‘ruyi’ sceptre in her right hand, a heavenly deer by her, painted in pale transparent enamel on the interior, and leaves, butterflies and flowers on the rim. Pair with PDF 810.
IMG
![图片[1]-dish BM-PDF.809-China Archive](https://chinaarchive.net/Qin dynasty/Ceramics/mid_00575999_001.jpg)
Comments:Published PDF date : Qing early 18thC Room 95 label text:PDF 809Dish with two female figuresThis dish is painted with a female immortal, holding a ruyi sceptre (like a magic wand), and with a deer beside her. She is accompanied by another female figure holding a dish all within a landscape. Leaves, butterflies and flowers are painted around the flat rim. There is a six-character apocryphal Chenghua mark in a double circle in underglaze blue on the base. Early Qing enamels fire as thin, translucent watercolour-like colours, dominated by green, black, aubergine, red and yellow pigments. Black (made from manganese and cobalt) and iron-pigmented red were used for outlining as they were more opaque than the other colours.Porcelain with underglaze cobalt-blue and overglaze enamels Jingdezhen, Jiangxi province 江西省, 景德鎮Qing dynasty, Kangxi period, AD 1662–1722 PDF 809二仕女圖盤此盤繪一位仙女，手持如意（類似魔杖），身旁有一頭鹿；相伴有另一位手持托盤的仕女，二人身處山水之中。環繞盤形口沿繪樹葉、蝴蝶及花卉圖案。器底青花雙圈內署成化六字偽託年款。清早期燒成的釉上彩為稀薄的透明水彩狀，以綠、黑、茄皮紫、紅及黃彩為主。由於黑彩（由猛及鈷元素呈色）及含鐵的礬紅彩相比其他顏色更為不透明，因此被用於勾勒輪廓。瓷器，青花，釉上彩江西省景德鎮清代，康熙，1662-1722年
Materials:porcelain
Technique:glazed, painted,
Dimensions:Diameter: 172 millimetres Height: 22 millimetres
Description:
Porcelain dish with flattened rim. The dish has a fine white body. There are two female figures, one a daoist fairy holding a ‘ruyi’ sceptre in her right hand, a heavenly deer by her, painted in pale transparent enamel on the interior, and leaves, butterflies and flowers on the rim. Pair with PDF 810.
IMG
Comments:Published PDF date : Qing early 18thC Room 95 label text:PDF 809Dish with two female figuresThis dish is painted with a female immortal, holding a ruyi sceptre (like a magic wand), and with a deer beside her. She is accompanied by another female figure holding a dish all within a landscape. Leaves, butterflies and flowers are painted around the flat rim. There is a six-character apocryphal Chenghua mark in a double circle in underglaze blue on the base. Early Qing enamels fire as thin, translucent watercolour-like colours, dominated by green, black, aubergine, red and yellow pigments. Black (made from manganese and cobalt) and iron-pigmented red were used for outlining as they were more opaque than the other colours.Porcelain with underglaze cobalt-blue and overglaze enamels Jingdezhen, Jiangxi province 江西省, 景德鎮Qing dynasty, Kangxi period, AD 1662–1722 PDF 809二仕女圖盤此盤繪一位仙女，手持如意（類似魔杖），身旁有一頭鹿；相伴有另一位手持托盤的仕女，二人身處山水之中。環繞盤形口沿繪樹葉、蝴蝶及花卉圖案。器底青花雙圈內署成化六字偽託年款。清早期燒成的釉上彩為稀薄的透明水彩狀，以綠、黑、茄皮紫、紅及黃彩為主。由於黑彩（由猛及鈷元素呈色）及含鐵的礬紅彩相比其他顏色更為不透明，因此被用於勾勒輪廓。瓷器，青花，釉上彩江西省景德鎮清代，康熙，1662-1722年
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![[Qing Dynasty] British female painter—Elizabeth Keith, using woodblock prints to record China from the late Qing Dynasty to the early Republic of China—1915-China Archive](https://chinaarchive.net/wp-content/uploads/2022/11/image-191x300.png)
