Period:Qing dynasty Production date:1723-1735
Materials:porcelain
Technique:glazed, painted,
Dimensions:Diameter: 507 millimetres Height: 89 millimetres
Description:
Porcelain saucer-shaped dish. Decorated in ‘famille rose’ palette enamels and iron red with a fruiting peach ‘tao’ painted and speckled in various shades of bright pink and green, intertwined with tree peony and prunus.
IMG
![图片[1]-dish BM-PDF-A.840-China Archive](https://chinaarchive.net/Qin dynasty/Ceramics/mid_00388176_001.jpg)
![图片[2]-dish BM-PDF-A.840-China Archive](https://chinaarchive.net/Qin dynasty/Ceramics/mid_00713999_001.jpg)
![图片[3]-dish BM-PDF-A.840-China Archive](https://chinaarchive.net/Qin dynasty/Ceramics/mid_00714000_001.jpg)
Comments:Published PDF date : Qing Yongzheng 1723-1735 Room 95 label text:PDF A840 Serving dish with peachesIn the same way as contemporary British artist Sir Howard Hodgkin (born AD 1932) includes the borders of a picture within a work, here porcelain decorators have gone beyond the boundaries of the rim to incorporate the outside of the dish in a continued design. The two flowering and fruiting peach trees, in shades of pink, green and brown spill over the sides of the dish and the design starts only at the foot ring. To complement these enamels, iron-red and black are used to great effect. These colours are not opaque and sit nearer to the surface, creating a contrasting matt result. Porcelain with underglaze blue and opaque overglaze enamelsJingdezhen, Jiangxi province 江西省, 景德鎮Qing dynasty, Yongzheng mark and period, AD1723–35 PDF A840桃蝠紋盤正如英國藝術家霍華德·霍奇金（1932年生）會在其作品中體現圖片的邊緣，這件盛盤的畫工在瓷盤口沿繼續繪畫，形成了器物內外連續的圖案（過枝紋）。兩株開花結果的桃樹用粉、綠和褐色調描繪，越過口沿到外壁，圈足處才是圖案的起始處桃根。此外也成功使用了鐵紅和黑彩，使彩料色系更為豐富。這些彩料不乳濁，更貼近表面，產生了一種對比明顯的啞光效果。或非僅作觀賞用。瓷器，青花，乳濁釉上彩江西省景德鎮清代，雍正，雍正款，1723-1735年
Materials:porcelain
Technique:glazed, painted,
Dimensions:Diameter: 507 millimetres Height: 89 millimetres
Description:
Porcelain saucer-shaped dish. Decorated in ‘famille rose’ palette enamels and iron red with a fruiting peach ‘tao’ painted and speckled in various shades of bright pink and green, intertwined with tree peony and prunus.
IMG
Comments:Published PDF date : Qing Yongzheng 1723-1735 Room 95 label text:PDF A840 Serving dish with peachesIn the same way as contemporary British artist Sir Howard Hodgkin (born AD 1932) includes the borders of a picture within a work, here porcelain decorators have gone beyond the boundaries of the rim to incorporate the outside of the dish in a continued design. The two flowering and fruiting peach trees, in shades of pink, green and brown spill over the sides of the dish and the design starts only at the foot ring. To complement these enamels, iron-red and black are used to great effect. These colours are not opaque and sit nearer to the surface, creating a contrasting matt result. Porcelain with underglaze blue and opaque overglaze enamelsJingdezhen, Jiangxi province 江西省, 景德鎮Qing dynasty, Yongzheng mark and period, AD1723–35 PDF A840桃蝠紋盤正如英國藝術家霍華德·霍奇金（1932年生）會在其作品中體現圖片的邊緣，這件盛盤的畫工在瓷盤口沿繼續繪畫，形成了器物內外連續的圖案（過枝紋）。兩株開花結果的桃樹用粉、綠和褐色調描繪，越過口沿到外壁，圈足處才是圖案的起始處桃根。此外也成功使用了鐵紅和黑彩，使彩料色系更為豐富。這些彩料不乳濁，更貼近表面，產生了一種對比明顯的啞光效果。或非僅作觀賞用。瓷器，青花，乳濁釉上彩江西省景德鎮清代，雍正，雍正款，1723-1735年
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![[Qing Dynasty] British female painter—Elizabeth Keith, using woodblock prints to record China from the late Qing Dynasty to the early Republic of China—1915-China Archive](https://chinaarchive.net/wp-content/uploads/2022/11/image-191x300.png)
