Period:Qing dynasty Production date:1662-1722
Materials:porcelain
Technique:glazed, incised,
Dimensions:Diameter: 60 millimetres Height: 44 millimetres
Description:
Two porcelain cups with almost rectangular mouth rim created by four neatly-cut flutes. Covered in transparent yellow glaze applied directly to the biscuit. Incised dragon on each side outside and flaming pearl inside on the bottom. Base also glazed yellow, with inscription.
IMG
![图片[1]-cup BM-PDF-A.597-China Archive](https://chinaarchive.net/Qin dynasty/Ceramics/mid_00387082_001.jpg)
Comments:Published PDF date : Qing 18thC Room 95 label text:PDF A597Cup with dragon and flaming pearlThis cup (one of a pair with A598) incised with dragon and flaming pearl is covered with a monochrome yellow glaze. Potters fired the it twice, first at a porcelain temperature of around 1280 to 1320 °C to fix the underglaze blue mark and transparent glaze and then in a second, lower-temperature firing to vitrify the lead-fluxed, iron-pigmented glaze. The base has an apocryphal four-character underglaze blue reign mark of the Chenghua period. Porcelain, incised, with underglaze cobalt-blue mark and on-the-biscuit yellow glazeJingdezhen, Jiangxi province 江西省, 景德鎮Qing dynasty, Kangxi period, AD 1662–1722 PDF A597龍戲珠紋杯此杯（與A598為一對）展示了景德鎮對誘人單色黃釉的成功使用。黃釉作為皇家用色來裝飾中國的宮廷用瓷，有五百餘年的歷史（1403–1911年）。器物為二次燒成，首先以燒瓷器所用的約1280–1320°C的高溫燒再罩施以鉛為助熔劑、鐵為著色劑的黃釉，二次入窯以低溫燒將黃釉玻化。外底署青花四字成化寄託年款。瓷器，劃花，青花款，無釉素燒胎上施黃釉江西省景德鎮清代，康熙， 1662-1722年
Materials:porcelain
Technique:glazed, incised,
Dimensions:Diameter: 60 millimetres Height: 44 millimetres
Description:
Two porcelain cups with almost rectangular mouth rim created by four neatly-cut flutes. Covered in transparent yellow glaze applied directly to the biscuit. Incised dragon on each side outside and flaming pearl inside on the bottom. Base also glazed yellow, with inscription.
IMG
Comments:Published PDF date : Qing 18thC Room 95 label text:PDF A597Cup with dragon and flaming pearlThis cup (one of a pair with A598) incised with dragon and flaming pearl is covered with a monochrome yellow glaze. Potters fired the it twice, first at a porcelain temperature of around 1280 to 1320 °C to fix the underglaze blue mark and transparent glaze and then in a second, lower-temperature firing to vitrify the lead-fluxed, iron-pigmented glaze. The base has an apocryphal four-character underglaze blue reign mark of the Chenghua period. Porcelain, incised, with underglaze cobalt-blue mark and on-the-biscuit yellow glazeJingdezhen, Jiangxi province 江西省, 景德鎮Qing dynasty, Kangxi period, AD 1662–1722 PDF A597龍戲珠紋杯此杯（與A598為一對）展示了景德鎮對誘人單色黃釉的成功使用。黃釉作為皇家用色來裝飾中國的宮廷用瓷，有五百餘年的歷史（1403–1911年）。器物為二次燒成，首先以燒瓷器所用的約1280–1320°C的高溫燒再罩施以鉛為助熔劑、鐵為著色劑的黃釉，二次入窯以低溫燒將黃釉玻化。外底署青花四字成化寄託年款。瓷器，劃花，青花款，無釉素燒胎上施黃釉江西省景德鎮清代，康熙， 1662-1722年
© Copyright
The copyright of the article belongs to the author, please keep the original link for reprinting.
THE END
![[Qing Dynasty] British female painter—Elizabeth Keith, using woodblock prints to record China from the late Qing Dynasty to the early Republic of China—1915-China Archive](https://chinaarchive.net/wp-content/uploads/2022/11/image-191x300.png)
