Period:Qing dynasty Production date:20thC
Materials:porcelain
Technique:carved
Subjects:landscape
Dimensions:Diameter: 13 centimetres Height: 5.50 centimetres
Description:
Brush rest in the shape of a miniature mountain with a figure crossing a bridge. Made of carved, biscuit-fired porcelain.
IMG
![图片[1]-brush-rest BM-1991-1028.2-China Archive](https://chinaarchive.net/Qin dynasty/Ceramics/mid_00023298_001.jpg)
![图片[2]-brush-rest BM-1991-1028.2-China Archive](https://chinaarchive.net/Qin dynasty/Ceramics/mid_00030561_001.jpg)
![图片[3]-brush-rest BM-1991-1028.2-China Archive](https://chinaarchive.net/Qin dynasty/Ceramics/mid_00107469_001.jpg)
Comments:Rawson 1992:Small representations of mountains signified the retreat of the scholar from official life and offered the alternatives of a hermit’s existence or of individual expression in the face of strong government bureaucracy. Such mountains were also seen as a route to paradise. But the paradise beyond is not an outworldly paradise filled with angels, as described in the Western world; it is a land with a calmer, better life, a more archaich version of the present life. Daoism viewed the natural world, especially mountains, as the home of immortals. See also BM 1943.0215.30, BM 1889.0306.4 and BM 1930.1217.10.
Materials:porcelain
Technique:carved
Subjects:landscape
Dimensions:Diameter: 13 centimetres Height: 5.50 centimetres
Description:
Brush rest in the shape of a miniature mountain with a figure crossing a bridge. Made of carved, biscuit-fired porcelain.
IMG
Comments:Rawson 1992:Small representations of mountains signified the retreat of the scholar from official life and offered the alternatives of a hermit’s existence or of individual expression in the face of strong government bureaucracy. Such mountains were also seen as a route to paradise. But the paradise beyond is not an outworldly paradise filled with angels, as described in the Western world; it is a land with a calmer, better life, a more archaich version of the present life. Daoism viewed the natural world, especially mountains, as the home of immortals. See also BM 1943.0215.30, BM 1889.0306.4 and BM 1930.1217.10.
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![[Qing Dynasty] British female painter—Elizabeth Keith, using woodblock prints to record China from the late Qing Dynasty to the early Republic of China—1915-China Archive](https://chinaarchive.net/wp-content/uploads/2022/11/image-191x300.png)
