Period:Qing dynasty Production date:17thC(mid)
Materials:porcelain
Technique:glazed, painted,
Dimensions:Diameter: 200 millimetres Height: 86 millimetres
Description:
Porcelain bowl with rounded sides and slightly everted rim. There are prunus, camellia and peach blossom sprays in sancai style with yellow, green, white, black and aubergine on-biscuit enamel on the exterior. There is a mark in blue on the base which has a colourless glaze.
IMG
![图片[1]-bowl BM-PDF.757-China Archive](https://chinaarchive.net/Qin dynasty/Ceramics/mid_00382811_001.jpg)
![图片[2]-bowl BM-PDF.757-China Archive](https://chinaarchive.net/Qin dynasty/Ceramics/mid_00382812_001.jpg)
Comments:Published PDF date : Qing Kangxi 1662-1722 Room 95 label text:PDF 757Bowl with blossoming branchesMing emperors appear to have favoured bright, colourful, schemes for their buildings, costumes and furnishings. Potters fired most of the Ming and Ming style porcelains twice. This bowl painted with blossoming branches has colours applied directly to the biscuit-fired porcelain body. This lends the enamels a darker hue than those first coated with a layer of glaze and fired before the enamels were added and the piece was fired again. The base has a six-character underglaze cobalt-blue apocryphal Jiajing reign mark. Porcelain with incised decoration, underglaze cobalt-blue mark and on-the-biscuit green, black, yellow and aubergine enamels Jingdezhen, Jiangxi province 江西省, 景德鎮Qing dynasty, about AD 1644–1670 PDF 757花枝紋碗明代皇帝似乎更偏愛在其建築、服飾及家居陳設中使用明亮的和色彩豐富的搭配組合。大多數明代及明代風格的瓷器皆為二次燒成。此碗於無釉素燒瓷胎上直接彩繪花枝圖案。與先罩一層釉燒制，繼而在釉上彩繪後再入窯二次燒制的方式相比，這種技法燒制後釉彩呈色較深。器底署青花六字嘉靖偽託年款。瓷器，劃花，青花款，素燒胎綠、黑、黃及茄皮紫彩江西省景德鎮清，約1644-1700年
Materials:porcelain
Technique:glazed, painted,
Dimensions:Diameter: 200 millimetres Height: 86 millimetres
Description:
Porcelain bowl with rounded sides and slightly everted rim. There are prunus, camellia and peach blossom sprays in sancai style with yellow, green, white, black and aubergine on-biscuit enamel on the exterior. There is a mark in blue on the base which has a colourless glaze.
IMG
Comments:Published PDF date : Qing Kangxi 1662-1722 Room 95 label text:PDF 757Bowl with blossoming branchesMing emperors appear to have favoured bright, colourful, schemes for their buildings, costumes and furnishings. Potters fired most of the Ming and Ming style porcelains twice. This bowl painted with blossoming branches has colours applied directly to the biscuit-fired porcelain body. This lends the enamels a darker hue than those first coated with a layer of glaze and fired before the enamels were added and the piece was fired again. The base has a six-character underglaze cobalt-blue apocryphal Jiajing reign mark. Porcelain with incised decoration, underglaze cobalt-blue mark and on-the-biscuit green, black, yellow and aubergine enamels Jingdezhen, Jiangxi province 江西省, 景德鎮Qing dynasty, about AD 1644–1670 PDF 757花枝紋碗明代皇帝似乎更偏愛在其建築、服飾及家居陳設中使用明亮的和色彩豐富的搭配組合。大多數明代及明代風格的瓷器皆為二次燒成。此碗於無釉素燒瓷胎上直接彩繪花枝圖案。與先罩一層釉燒制，繼而在釉上彩繪後再入窯二次燒制的方式相比，這種技法燒制後釉彩呈色較深。器底署青花六字嘉靖偽託年款。瓷器，劃花，青花款，素燒胎綠、黑、黃及茄皮紫彩江西省景德鎮清，約1644-1700年
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![[Qing Dynasty] British female painter—Elizabeth Keith, using woodblock prints to record China from the late Qing Dynasty to the early Republic of China—1915-China Archive](https://chinaarchive.net/wp-content/uploads/2022/11/image-191x300.png)
