Period:Qing dynasty Production date:1723-1735 (Min yao?)
Materials:porcelain
Technique:glazed, painted,
Dimensions:Diameter: 94 millimetres Height: 40 millimetres
Description:
Porcelain bowl with shallow rounded sides, no foot-rim and sunken base. The bowl has a fine white eggshell body and white glaze. There are poppies and chrysanthemum plus insects in ‘famille rose’ enamel on the exterior. Pair with PDF 872.
IMG
![图片[1]-bowl BM-PDF.873-China Archive](https://chinaarchive.net/Qin dynasty/Ceramics/mid_00384016_001.jpg)
Comments:Published PDF date : Qing Yongzheng 1723-1735 Room 95 label text:PDF 873Bowl with a bird on a blossoming branchA new opaque palette of overglaze colours developed in China around AD 1720. A new opaque white greatly increased the shades of colours available to the potters, and a new pink gave the overall palette a softer feel. The opaque colours of the 粉彩 fencai (powdered colours) palette are made of lead-alkali-silicates, like cloisonné enamels, while earlier Qing enamels (case 32) are lead silicates. The base has a six-character underglaze blue Yongzheng reign mark.Porcelain with underglaze cobalt-blue and fencai (powdered colours) Jingdezhen, Jiangxi province 江西省, 景德鎮Qing dynasty, Yongzheng mark and period, AD 1723–1735 PDF 873花枝小鳥圖碗1720年左右，新的不透明釉上彩色系在中國發展起來。其中新的不透明白彩大大增加了陶工們可以使用的色調，而新的粉色給予了整個新色系更為柔和的質感。這種不透明的彩料稱為“粉彩”，其原料為含鉛的鹼性矽酸鹽，類似金屬胎琺瑯器的彩料，而清代早期的釉上彩料卻是鉛矽酸鹽（32號展櫃）。器底署青花六字雍正年款。瓷器，青花，粉彩江西省景德鎮清代，雍正，雍正款，1723-1735年
Materials:porcelain
Technique:glazed, painted,
Dimensions:Diameter: 94 millimetres Height: 40 millimetres
Description:
Porcelain bowl with shallow rounded sides, no foot-rim and sunken base. The bowl has a fine white eggshell body and white glaze. There are poppies and chrysanthemum plus insects in ‘famille rose’ enamel on the exterior. Pair with PDF 872.
IMG
Comments:Published PDF date : Qing Yongzheng 1723-1735 Room 95 label text:PDF 873Bowl with a bird on a blossoming branchA new opaque palette of overglaze colours developed in China around AD 1720. A new opaque white greatly increased the shades of colours available to the potters, and a new pink gave the overall palette a softer feel. The opaque colours of the 粉彩 fencai (powdered colours) palette are made of lead-alkali-silicates, like cloisonné enamels, while earlier Qing enamels (case 32) are lead silicates. The base has a six-character underglaze blue Yongzheng reign mark.Porcelain with underglaze cobalt-blue and fencai (powdered colours) Jingdezhen, Jiangxi province 江西省, 景德鎮Qing dynasty, Yongzheng mark and period, AD 1723–1735 PDF 873花枝小鳥圖碗1720年左右，新的不透明釉上彩色系在中國發展起來。其中新的不透明白彩大大增加了陶工們可以使用的色調，而新的粉色給予了整個新色系更為柔和的質感。這種不透明的彩料稱為“粉彩”，其原料為含鉛的鹼性矽酸鹽，類似金屬胎琺瑯器的彩料，而清代早期的釉上彩料卻是鉛矽酸鹽（32號展櫃）。器底署青花六字雍正年款。瓷器，青花，粉彩江西省景德鎮清代，雍正，雍正款，1723-1735年
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![[Qing Dynasty] British female painter—Elizabeth Keith, using woodblock prints to record China from the late Qing Dynasty to the early Republic of China—1915-China Archive](https://chinaarchive.net/wp-content/uploads/2022/11/image-191x300.png)
