Period:Qing dynasty Production date:1662-1722
Materials:porcelain
Technique:underglazed
Dimensions:Diameter: 178 millimetres Height: 76 millimetres
Description:
Porcelain bowl with steep curving sides. Covered inside and outside with crackled dark copper-red glaze. Base covered with transparent crackled glaze stained with green. Metal-bound rim.
IMG
![图片[1]-bowl BM-PDF-C.512-China Archive](https://chinaarchive.net/Qin dynasty/Ceramics/mid_00390376_001.jpg)
Comments:Published PDF date : Qing Kangxi 1662-1722 Room 95 label text:PDF C512Bowl with copper-red glaze The skills used to create these extraordinary red glazes were lost in China from the mid-fifteenth century until they were rediscovered in the late seventeenth and early eighteenth centuries. The glaze has ‘crept’ at the rim of the dish to reveal the pure whiteness of the porcelain body and the rim is bound in copper. Porcelain with transparent and copper-red glazes and copper rimJingdezhen, Jiangxi province江西省, 景德鎮Qing dynasty, Kangxi period, AD 1662–1722 PDF C512銅紅釉碗在中國，燒造此種非凡紅釉的技術從十五世紀中期就已失傳，到十七世紀晚期至十八世紀早期才又恢復。此碗口沿在燒窯中縮釉形成“脫口”現象，顯露胎體的潔白，鑲有銅口。瓷器，透明釉，銅紅釉，鑲銅口江西省景德鎮清代，康熙，1662-1722年
Materials:porcelain
Technique:underglazed
Dimensions:Diameter: 178 millimetres Height: 76 millimetres
Description:
Porcelain bowl with steep curving sides. Covered inside and outside with crackled dark copper-red glaze. Base covered with transparent crackled glaze stained with green. Metal-bound rim.
IMG
Comments:Published PDF date : Qing Kangxi 1662-1722 Room 95 label text:PDF C512Bowl with copper-red glaze The skills used to create these extraordinary red glazes were lost in China from the mid-fifteenth century until they were rediscovered in the late seventeenth and early eighteenth centuries. The glaze has ‘crept’ at the rim of the dish to reveal the pure whiteness of the porcelain body and the rim is bound in copper. Porcelain with transparent and copper-red glazes and copper rimJingdezhen, Jiangxi province江西省, 景德鎮Qing dynasty, Kangxi period, AD 1662–1722 PDF C512銅紅釉碗在中國，燒造此種非凡紅釉的技術從十五世紀中期就已失傳，到十七世紀晚期至十八世紀早期才又恢復。此碗口沿在燒窯中縮釉形成“脫口”現象，顯露胎體的潔白，鑲有銅口。瓷器，透明釉，銅紅釉，鑲銅口江西省景德鎮清代，康熙，1662-1722年
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![[Qing Dynasty] British female painter—Elizabeth Keith, using woodblock prints to record China from the late Qing Dynasty to the early Republic of China—1915-China Archive](https://chinaarchive.net/wp-content/uploads/2022/11/image-191x300.png)
