Period:Qing dynasty Production date:18thC
Materials:porcelain
Technique:glazed, painted,
Dimensions:Diameter: 120 millimetres Height: 61 millimetres
Description:
Porcelain bowl. The bowl has a fine white body and celadon glaze. There are separated blossoming and fruiting branches in transparent ‘famille verte’ palette enamels and gold on the exterior.
IMG
![图片[1]-bowl BM-PDF.840-China Archive](https://chinaarchive.net/Qin dynasty/Ceramics/mid_00576051_001.jpg)
Comments:Published PDF date : Qing 18th-19thC Room 95 label text:PDF 840Celadon bowl with fruiting branchesEarly Qing enamels fire as thin, translucent watercolour-like colours, dominated by green, black, aubergine, red and yellow pigments. Black (made from manganese and cobalt) and iron-pigmented red were used for outlining as they were more opaque than the other colours. Albert Jacquemart (AD 1808–1875) coined the term famille verte in his Histoire de la céramique published in 1873, to describe this palette dominated by shades of green. There is a four-character inscription reading 大明年製 (Da Ming nian zhi ‘Made in the Ming dynasty’) in underglaze blue on the base.Porcelain with underglaze cobalt-blue mark, celadon glaze, and overglaze enamels Jingdezhen, Jiangxi province 江西省, 景德鎮Qing dynasty about, AD 1700–1800 PDF 840果枝圖青瓷碗清早期燒成的釉上彩為稀薄的透明水彩狀，以綠、黑、茄皮紫、紅及黃彩為主。由於黑彩（由猛及鈷元素呈色）及含鐵的礬紅彩相比其他顏色更為不透明，因此被用於勾勒輪廓。1873年，艾爾伯特•雅哥馬特（1808-1875年）在其出版的《陶瓷史》（Histoire de la céramique）中首創了陶瓷術語famille verte（“綠色系”），用以描述以綠色調為主的五彩裝飾技法。器底署青花四字“大明年制”（意為製作于明朝）款識。瓷器，青花款，青釉，釉上彩江西省景德鎮清代，約1700-1800年
Materials:porcelain
Technique:glazed, painted,
Dimensions:Diameter: 120 millimetres Height: 61 millimetres
Description:
Porcelain bowl. The bowl has a fine white body and celadon glaze. There are separated blossoming and fruiting branches in transparent ‘famille verte’ palette enamels and gold on the exterior.
IMG
Comments:Published PDF date : Qing 18th-19thC Room 95 label text:PDF 840Celadon bowl with fruiting branchesEarly Qing enamels fire as thin, translucent watercolour-like colours, dominated by green, black, aubergine, red and yellow pigments. Black (made from manganese and cobalt) and iron-pigmented red were used for outlining as they were more opaque than the other colours. Albert Jacquemart (AD 1808–1875) coined the term famille verte in his Histoire de la céramique published in 1873, to describe this palette dominated by shades of green. There is a four-character inscription reading 大明年製 (Da Ming nian zhi ‘Made in the Ming dynasty’) in underglaze blue on the base.Porcelain with underglaze cobalt-blue mark, celadon glaze, and overglaze enamels Jingdezhen, Jiangxi province 江西省, 景德鎮Qing dynasty about, AD 1700–1800 PDF 840果枝圖青瓷碗清早期燒成的釉上彩為稀薄的透明水彩狀，以綠、黑、茄皮紫、紅及黃彩為主。由於黑彩（由猛及鈷元素呈色）及含鐵的礬紅彩相比其他顏色更為不透明，因此被用於勾勒輪廓。1873年，艾爾伯特•雅哥馬特（1808-1875年）在其出版的《陶瓷史》（Histoire de la céramique）中首創了陶瓷術語famille verte（“綠色系”），用以描述以綠色調為主的五彩裝飾技法。器底署青花四字“大明年制”（意為製作于明朝）款識。瓷器，青花款，青釉，釉上彩江西省景德鎮清代，約1700-1800年
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![[Qing Dynasty] British female painter—Elizabeth Keith, using woodblock prints to record China from the late Qing Dynasty to the early Republic of China—1915-China Archive](https://chinaarchive.net/wp-content/uploads/2022/11/image-191x300.png)
