Period:Qing dynasty Production date:18thC
Materials:porcelain
Technique:underglazed
Dimensions:Diameter: 96 millimetres Height: 47 millimetres
Description:
Porcelain bowl with flaring sides. Underglaze blue with birds perched in fruiting tree on one side and flowering tree on the other. Emblem inside formed from four cloud-collars containing pseudo-Tibetan characters. There is an inscription on the base.
IMG
![图片[1]-bowl BM-PDF-A.697-China Archive](https://chinaarchive.net/Qin dynasty/Ceramics/mid_00387376_001.jpg)
![图片[2]-bowl BM-PDF-A.697-China Archive](https://chinaarchive.net/Qin dynasty/Ceramics/mid_00387377_001.jpg)
Comments:Published PDF date : Qing Yongzheng 1723-1735 Room 95 label text:PDF A697Bowl with Sanskrit charactersThis bowl is painted outside with birds perching on flowering and fruiting branches and with Tibetan-Sanskrit characters inside. The base has an apocryphal six-character underglaze blue Chenghua reign mark.Porcelain with underglaze cobalt-blue decoration Jingdezhen, Jiangxi province 江西省, 景德鎮Qing dynasty, about AD 1700–1800 PDF A697梵文碗瓷碗外部繪鳥兒立在正開花結果的樹枝上，內部寫有梵藏文字。外底署青花六字成化寄託年款。瓷器，青花江西省景德鎮清代，約1700-1800年
Materials:porcelain
Technique:underglazed
Dimensions:Diameter: 96 millimetres Height: 47 millimetres
Description:
Porcelain bowl with flaring sides. Underglaze blue with birds perched in fruiting tree on one side and flowering tree on the other. Emblem inside formed from four cloud-collars containing pseudo-Tibetan characters. There is an inscription on the base.
IMG
Comments:Published PDF date : Qing Yongzheng 1723-1735 Room 95 label text:PDF A697Bowl with Sanskrit charactersThis bowl is painted outside with birds perching on flowering and fruiting branches and with Tibetan-Sanskrit characters inside. The base has an apocryphal six-character underglaze blue Chenghua reign mark.Porcelain with underglaze cobalt-blue decoration Jingdezhen, Jiangxi province 江西省, 景德鎮Qing dynasty, about AD 1700–1800 PDF A697梵文碗瓷碗外部繪鳥兒立在正開花結果的樹枝上，內部寫有梵藏文字。外底署青花六字成化寄託年款。瓷器，青花江西省景德鎮清代，約1700-1800年
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![[Qing Dynasty] British female painter—Elizabeth Keith, using woodblock prints to record China from the late Qing Dynasty to the early Republic of China—1915-China Archive](https://chinaarchive.net/wp-content/uploads/2022/11/image-191x300.png)
