Period:Qing dynasty Production date:1736-1795
Materials:porcelain
Technique:glazed, painted,
Dimensions:Height: 144 millimetres
Description:
Porcelain bottle with depressed pear-shaped body and tall, slightly tapering, slender neck. The bottle has a fine, white, glassy body. There is a rock, roses, yellow orchids and grasses in ‘Gu Yue’ style ‘famille rose’ palette enamel on the body, and a poetical inscription on the neck. Pair with PDF 849.
IMG
![图片[1]-bottle BM-PDF.848-China Archive](https://chinaarchive.net/Qin dynasty/Ceramics/mid_00536458_001.jpg)
Comments:Published PDF date : Qing Qianlong 1736-95 Room 95 label text:PDF 848 Falangcai bottle with flowers and a poemThis glassy porcelain bottle is painted with a stylised rock with pink roses, yellow orchids and green grasses. On the neck is a poem in black enamel preceeded by a red seal reading 佳麗(jia li ‘beautiful’) and followed by two red seals: 四時(si shi ‘four seasons’) and 長春(changchun ‘long spring’). The poem reads 朝朝籠麗月,嵗嵗占長春 (zhaozhao long liyue suisui zhan changchun). Lionel Giles (AD1875–1953), Keeper of Oriental Printed Books and Manuscripts at the British Museum, translated the poem for R.L. Hobson as “With morning’s light the lovely moon has gone: But every year we know that spring comes on.” On the base is an overglaze blue enamel Qianlong mark in a double square frame.Porcelain with transparent glaze made in Jingdezhen, Jiangxi province, overglaze enamels added in Beijing素瓷器: 江西, 景德鎮燒 製; 北京加琺瑯彩Qing dynasty, blue enamel Qianlong mark and period, AD1736–95 PDF 848琺瑯彩花卉詩文瓶這件如玻璃質感般的瓷瓶繪有格式化岩石、粉色月季、黃色蘭花及綠草圖案。頸部書黑彩詩文，詩前有紅色印文款“佳麗”，詩尾附“四時”“長春”紅色印兩方。詩文為“朝朝籠麗月，歲歲占長春”。萊奧納爾•賈爾斯（1875-1953年），即大英博物館東方印刷品及手稿部主任，曾為R.L.霍布森翻譯此詩，意為“伴隨清晨的光亮孤寂的月亮蹤跡難尋，但我們知道每一年春天都會來臨”。器底雙方框內署乾隆釉上藍料年款。瓷器，江西省景德鎮燒素瓷，北京加釉上琺瑯彩清代，乾隆，乾隆藍料款，17376-1795年
Materials:porcelain
Technique:glazed, painted,
Dimensions:Height: 144 millimetres
Description:
Porcelain bottle with depressed pear-shaped body and tall, slightly tapering, slender neck. The bottle has a fine, white, glassy body. There is a rock, roses, yellow orchids and grasses in ‘Gu Yue’ style ‘famille rose’ palette enamel on the body, and a poetical inscription on the neck. Pair with PDF 849.
IMG
Comments:Published PDF date : Qing Qianlong 1736-95 Room 95 label text:PDF 848 Falangcai bottle with flowers and a poemThis glassy porcelain bottle is painted with a stylised rock with pink roses, yellow orchids and green grasses. On the neck is a poem in black enamel preceeded by a red seal reading 佳麗(jia li ‘beautiful’) and followed by two red seals: 四時(si shi ‘four seasons’) and 長春(changchun ‘long spring’). The poem reads 朝朝籠麗月,嵗嵗占長春 (zhaozhao long liyue suisui zhan changchun). Lionel Giles (AD1875–1953), Keeper of Oriental Printed Books and Manuscripts at the British Museum, translated the poem for R.L. Hobson as “With morning’s light the lovely moon has gone: But every year we know that spring comes on.” On the base is an overglaze blue enamel Qianlong mark in a double square frame.Porcelain with transparent glaze made in Jingdezhen, Jiangxi province, overglaze enamels added in Beijing素瓷器: 江西, 景德鎮燒 製; 北京加琺瑯彩Qing dynasty, blue enamel Qianlong mark and period, AD1736–95 PDF 848琺瑯彩花卉詩文瓶這件如玻璃質感般的瓷瓶繪有格式化岩石、粉色月季、黃色蘭花及綠草圖案。頸部書黑彩詩文，詩前有紅色印文款“佳麗”，詩尾附“四時”“長春”紅色印兩方。詩文為“朝朝籠麗月，歲歲占長春”。萊奧納爾•賈爾斯（1875-1953年），即大英博物館東方印刷品及手稿部主任，曾為R.L.霍布森翻譯此詩，意為“伴隨清晨的光亮孤寂的月亮蹤跡難尋，但我們知道每一年春天都會來臨”。器底雙方框內署乾隆釉上藍料年款。瓷器，江西省景德鎮燒素瓷，北京加釉上琺瑯彩清代，乾隆，乾隆藍料款，17376-1795年
© Copyright
The copyright of the article belongs to the author, please keep the original link for reprinting.
THE END
![[Qing Dynasty] British female painter—Elizabeth Keith, using woodblock prints to record China from the late Qing Dynasty to the early Republic of China—1915-China Archive](https://chinaarchive.net/wp-content/uploads/2022/11/image-191x300.png)
